Victoria University
VIC

Works Taught at This Institution

y separately published work icon Barracuda Christos Tsiolkas , Sydney : Allen and Unwin , 2013 Z1917126 2013 single work novel (taught in 10 units)

'He asked the water to lift him, to carry him, to avenge him. He made his muscles shape his fury, made every stroke declare his hate. And the water obeyed; the water would give him his revenge. No one could beat him, no one came close.

'His whole life Danny Kelly's only wanted one thing: to win Olympic gold. Everything he's ever done - every thought, every dream, every action - takes him closer to that moment of glory, of vindication, when the world will see him for what he is: the fastest, the strongest and the best. His life has been a preparation for that moment.

'His parents struggle to send him to the most prestigious private school with the finest swimming program; Danny loathes it there and is bullied and shunned as an outsider, but his coach is the best and knows Danny is, too, better than all those rich boys, those pretenders. Danny's win-at-all-cost ferocity gradually wins favour with the coolest boys - he's Barracuda, he's the psycho, he's everything they want to be but don't have the guts to get there. He's going to show them all.

'He would be first, everything would be alright when he came first, all would be put back in place. When he thought of being the best, only then did he feel calm.

'A searing and provocative novel by the acclaimed author of the international bestseller The Slap, Barracuda is an unflinching look at modern Australia, at our hopes and dreams, our friendships, and our families.

'Should we teach our children to win, or should we teach them to live? How do we make and remake our lives? Can we atone for our past? Can we overcome shame? And what does it mean to be a good person?

'Barracuda is about living in Australia right now, about class and sport and politics and migration and education. It contains everything a person is: family and friendship and love and work, the identities we inhabit and discard, the means by which we fill the holes at our centre. It's brutal and tender and blazingly brilliant; everything we have come to expect from this fearless vivisector of our lives and world. ' (Publisher's blurb)

y separately published work icon Blood Tony Birch , St Lucia : University of Queensland Press , 2011 Z1821176 2011 single work novel (taught in 5 units)

'Jesse has sworn to protect his sister, Rachel, no matter what. It's a promise that cannot be broken. A promise made in blood. But, when it comes down to life or death, how can he find the courage to keep it? Set on the back roads of Australia, Blood is a boy's odyssey through a broken-down adult world.' (Source: Publisher website)

y separately published work icon Coonardoo : The Well in the Shadow Katharine Susannah Prichard , 1928 Z1081769 1928 single work novel (taught in 39 units) Set in North-West of Western Australia, it describes life on cattle stations and the relationship between the white owner of the station and Coonardoo, an Aboriginal woman.
y separately published work icon Don't Take Your Love to Town Ruby Langford Ginibi , Ringwood : Penguin , 1988 Z496435 1988 single work autobiography (taught in 10 units)

'Don’t Take Your Love to Town is a story of courage in the face of poverty and tragedy. Ruby recounts losing her mother when she was six, growing up in a mission in northern New South Wales and leaving home when she was fifteen. She lived in tin huts and tents in the bush and picked up work on the land while raising nine children virtually single-handedly. Later she struggled to make ends meet in the Koori areas of Sydney. Ruby is an amazing woman whose sense of humour has endured through all the hardships she has experienced.' (Source UQP website: www.uqp.uq.edu.au)

y separately published work icon Game Day Miriam Sved , Sydney : Pan Macmillan Australia , 2014 7734413 2014 single work novel (taught in 2 units)

'The ruckmen face off over the centre circle and for a moment everything is frozen possibility: players, umpire, the ball suspended overhead, the softly clouded sky. Everything except the fans, a circus beyond the stillness. Then the ball swings down and cracks it all open. The new draft pick, the tired has-been, the up-and-comer, the might-have-been. The talent scout, the coach on the edge, the beleaguered umpire, the concerned medic. The number-one fan, the lifetime members, the desperate gamblers. The footballers' mums, the WAGs, the groupies. The tags, the rivals, the sledging. The pressure. Mick Reece and Jake Dooley, best mates since childhood, begin their first professional season playing AFL with little notion of what they're getting into: the complexity of the beast that the game must feed. In Game Day, Miriam Sved brings this beast into the light over the course of one season of Aussie Rules. What unfolds is a deeply insightful novel about the pathology of an AFL club, its players and its fans.

'Revelling in their battles, their victories and their relentless interdependence, Game Day asks whether what unites the true believers is stronger than what divides them, and if love of the game can transcend our flaws and imperfections to result in something beautiful. Sved's debut novel is a poignant and clear-eyed exploration of what sport means for Australians, and the intensity with which we pursue and cherish it.' (Publication summary)

y separately published work icon Ghost River Tony Birch , St Lucia : University of Queensland Press , 2015 8764472 2015 single work novel (taught in 1 units)

''You find yourself down at the bottom of the river, for some it's time to give into her. But other times, young fellas like you two, you got to fight your way back. Show the river you got courage and is ready to live.'

'The river is a place of history and secrets. For Ren and Sonny, two unlikely friends, it's a place of freedom and adventure. For a group of storytelling vagrants, it's a refuge. And for the isolated daughter of a cult reverend, it's an escape.

'Each time they visit, another secret slips into its ancient waters. But change and trouble are coming – to the river and to the lives of those who love it. Who will have the courage to fight and survive and what will be the cost?' (Publication summary)

y separately published work icon Loaded Christos Tsiolkas , Milsons Point : Vintage Australia , 1995 Z565443 1995 single work novel (taught in 40 units)

'Families can detonate. Some families are torn apart forever by one small act, one solitary mistake. In my family it was a series of small explosions; consistent, passionate, pathetic. Cruel words, crude threats... We spurred each other on till we reached a crescendo of pain and we retired exhausted to our rooms, in tears or in fury.

'Ari is nineteen, unemployed and a poofter who doesn't want to be gay. He is looking for something - anything - to take him away from his aimless existence in suburban Melbourne. He doesn't believe in anyone or anything, except the power of music. All he wants to do is dance, take drugs, have sex and change the world.

'For Ari, all the orthodoxies of family, sex, politics and work have collapsed. Caught between the traditional Greek world of his parents and friends and the alluring, destructive world of clubs, chemicals and anonymous sex, all Ari can do is ease his pain in the only ways he knows how.

'Written in stark, uncompromising prose, Loaded is a first novel of great passion and power.' (From the publisher's website.)

y separately published work icon The Memoir Book : A Guide To Life Writing Patti Miller , Pymble : HarperCollins Australia , 2007 Z1382169 2007 single work criticism (taught in 4 units)
y separately published work icon The Natural Way of Things Charlotte Wood , Crows Nest : Allen and Unwin , 2015 8719111 2015 single work novel (taught in 5 units)

'She hears her own thick voice deep inside her ears when she says, 'I need to know where I am.' The man stands there, tall and narrow, hand still on the doorknob, surprised. He says, almost in sympathy, 'Oh, sweetie. You need to know what you are.'

'Two women awaken from a drugged sleep to find themselves imprisoned in a broken-down property in the middle of a desert. Strangers to each other, they have no idea where they are or how they came to be there with eight other girls, forced to wear strange uniforms, their heads shaved, guarded by two inept yet vicious armed jailers and a 'nurse'. The girls all have something in common, but what is it? What crime has brought them here from the city? Who is the mysterious security company responsible for this desolate place with its brutal rules, its total isolation from the contemporary world? Doing hard labour under a sweltering sun, the prisoners soon learn what links them: in each girl's past is a sexual scandal with a powerful man. They pray for rescue - but when the food starts running out it becomes clear that the jailers have also become the jailed. The girls can only rescue themselves.

'The Natural Way of Things is a gripping, starkly imaginative exploration of contemporary misogyny and corporate control, and of what it means to hunt and be hunted. Most of all, it is the story of two friends, their sisterly love and courage.

'With extraordinary echoes of The Handmaid's Tale and Lord of the Flies, The Natural Way of Things is a compulsively readable, scarifying and deeply moving contemporary novel. It confirms Charlotte Wood's position as one of our most thoughtful, provocative and fearless truth-tellers, as she unflinchingly reveals us and our world to ourselves.' (Publication summary)

y separately published work icon The Secret River Kate Grenville , Melbourne : Text Publishing , 2005 Z1194031 2005 single work novel historical fiction (taught in 69 units)

'In 1806 William Thornhill, a man of quick temper and deep feelings, is transported from the slums of London to New South Wales for the term of his natural life. With his wife Sal and their children he arrives in a harsh land he cannot understand.

'But the colony can turn a convict into a free man. Eight years later Thornhill sails up the Hawkesbury to claim a hundred acres for himself.

'Aboriginal people already live on that river. And other recent arrivals - Thomas Blackwood, Smasher Sullivan and Mrs Herring - are finding their own ways to respond to them.

'Thornhill, a man neither better nor worse than most, soon has to make the most difficult choice of his life.

'Inspired by research into her own family history, Kate Grenville vividly creates the reality of settler life, its longings, dangers and dilemmas. The Secret River is a brilliantly written book, a groundbreaking story about identity, belonging and ownership.' (From the publisher's website.)

y separately published work icon Shadowboxing Tony Birch , Carlton North : Scribe , 2006 Z1244852 2006 selected work short story (taught in 2 units) 'A collection of ten linked stories in the life of a boy growing up in the inner-Melbourne suburb of Fitzroy in the 1960s.' (publisher's blurb)
y separately published work icon Steam Pigs Melissa Lucashenko , St Lucia : University of Queensland Press , 1997 Z399534 1997 single work novel (taught in 5 units)

"I haven't got a 'boyfriend', Mum." "Fine way to be carrying on then, out all Sat'dy night with a strange fella..." "Muuum. " "Don't you marm me, my girl. When I was your age I wasn't out running around with any stray bloke with a flash car and the gift of the gab. "And when I'm your age," thought Sue maliciously, "I won't be ringing up my kids to scab money and make their lives a misery into the bargain."

'Sue Wilson, young and Aboriginal, escapes her "too-large, too-poor family in a too-small" north Queensland town for Logan City's frontier sprawl. Entering "the mythic world of Work" she discovers that the view from behind the bar is less than glamorous, but pays the rent. When she meets Roger the good times begin to roll until she finds herself starring in a feature with medium level violence. Melissa Lucashenko's first novel makes no apologies. With direct and gutsy language, her characters live their lives in the shadows cast by indifferent affluence.'

(Source: UQP website: www.uqp.uq.edu.au)

y separately published work icon Turning the Century : Writing of the 1890s Christopher Lee (editor), St Lucia : University of Queensland Press , 1999 Z397740 1999 anthology short story poetry extract prose (taught in 12 units) The works in this selection, all composed or published between 1885 and 1905, 'represent the way in which literary forms were used to respond to some of the important social, cultural and political preoccupations' of Australia during this period (Note on the Text, ix). The work is divided into the following six sections, each with a prefatory Editor's Note; Histories and Futures; Home and Away; Love and Other Catastrophes; Work and Play; Civilisation and its Discontents: Art and Society. There is also a List of Sources, pp. 374-381, and a bibliography, pp. 382-390.
y separately published work icon Unpolished Gem Unpolished Gem : My Mother, My Grandmother, and Me Alice Pung , Melbourne : Black Inc. , 2006 Z1301370 2006 single work autobiography (taught in 6 units)

Unpolished Gem tells the story of growing up with a Chinese-Cambodian family in Australia, Alice dives headfirst into schooling, romance and the getting of wisdom. Meanwhile, her mother becomes an Aussie Battler - an outworker, that is, her father starts up a chain of electrical appliance stores, and her grandmother blesses Father Government every day for giving old people money. (Back cover blurb).


y separately published work icon Wake in Fright Kenneth Cook , London : Michael Joseph , 1961 Z560904 1961 single work novel (taught in 9 units)

Wake in Fright is the harrowing story of a young schoolteacher, John Grant, who leaves his isolated outback school to go on holidays to Sydney (and civilization). Things start to go horribly wrong, however, when stays overnight in a rough outback mining town called Bundanyabba. After a drink fuelled night, in which he loses all his momey, Grant finds himself both broke and stuck in the town with means of escape. He subsequently descends into a cycle of hangovers, fumbling sexual encounters, and increasing self-loathing as he becomes more and more immersed in the grotesque and surreal nightmare that is 'the Yabba.'

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