Cloudstreet
Melbourne
:
McPhee Gribble
,
1991
Z204365
1991
single work
novel
(taught in 16 units)
'From separate catastrophes two rural families flee to the city and find themselves sharing a great, breathing, shuddering joint called Cloudstreet, where they begin their lives again from scratch. For twenty years they roister and rankle, laugh and curse until the roof over their heads becomes a home for their hearts.' (Source: Publisher's website)
Gallipoli
( dir. Peter Weir
)
Sydney
:
Associated R & R Films
,
1981
Z948654
1981
single work
film/TV
(taught in 11 units)
The narrative begins in Western Australia in 1915 and follows the paths of Archie Hamilton and Frank Dunne, before and after their enlistment in the Australian Imperial Forces. Hamilton is the patriotic son of a grazier and Frank Dunne is a drifter with no great desire to fight for the British Empire. They meet as runners in an outback footrace and become best mates. After training in Egypt, they land at Gallipoli, just as the great Allied assaults of August 1915 are to begin.
Source: Australian Screen.
Macquarie PEN Anthology of Australian Literature
Nicholas Jose
(editor),
Kerryn Goldsworthy
(editor),
Anita Heiss
(editor),
David McCooey
(editor),
Peter Minter
(editor),
Nicole Moore
(editor),
Elizabeth Webby
(editor),
Crows Nest
:
Allen and Unwin
,
2009
Z1590615
2009
anthology
correspondence
diary
drama
essay
extract
poetry
prose
short story
(taught in 23 units)
'Some of the best, most significant writing produced in Australia over more than two centuries is gathered in this landmark anthology. Covering all genres - from fiction, poetry and drama to diaries, letters, essays and speeches - the anthology maps the development of one of the great literatures in English in all its energy and variety.
'The writing reflects the diverse experiences of Australians in their encounter with their extraordinary environment and with themselves. This is literature of struggle, conflict and creative survival. It is literature of lives lived at the extremes, of frontiers between cultures, of new dimensions of experience, where imagination expands.
'This rich, informative and entertaining collection charts the formation of an Australian voice that draws inventively on Indigenous words, migrant speech and slang, with a cheeky, subversive humour always to the fore. For the first time, Aboriginal writings are interleaved with other English-language writings throughout - from Bennelong's 1796 letter to the contemporary flowering of Indigenous fiction and poetry - setting up an exchange that reveals Australian history in stark new ways.
'From vivid settler accounts to haunting gothic tales, from raw protest to feisty urban satire and playful literary experiment, from passionate love poetry to moving memoir, the Macquarie PEN Anthology of Australian Literature reflects the creative eloquence of a society.
'Chosen by a team of expert editors, who have provided illuminating essays about their selections, and with more than 500 works from over 300 authors, it is an authoritative survey and a rich world of reading to be enjoyed.' (Publisher's blurb)
Allen and Unwin have a YouTube channel with a number of useful videos on the Anthology.
Rabbit-Proof Fence
( dir. Phillip Noyce
)
Australia
:
Rumbalara Films
Olsen Levy Productions
,
2002
Z919523
2002
single work
film/TV
(taught in 15 units)
Based on real life events that occurred in 1931, Rabbit-Proof Fence is the story of three mixed-race Aboriginal children who are forcibly abducted from their mothers by the Western Australian government. Molly (aged fourteen), her sister Daisy (aged eight), and their cousin Gracie (aged ten) are taken from their homes at Jigalong, situated in the Pilbara region of Western Australia, at the orders of the Protector of Aborigines, A.O. Neville, and sent to an institution at Moore River to be educated and trained as domestic servants. After a few days, Molly leads the other two girls in an escape. What ensues is an epic journey that tests the girls' will to survive and their hope of finding the rabbit-proof fence to guide them home.
Although they are pursued by the institution's Aboriginal tracker and the police, Molly knows enough about bush craft to help them hide their tracks. They head east in search of the world's longest fence - built to keep rabbits out - because Molly knows that this will lead them back to Jigalong. Over the course of nine weeks, the girls walk almost 2,400 kilometres before Gracie is captured attempting to catch a train. Molly and Daisy avoid capture but eventually collapse from exhaustion on the saltpans not far from Jigalong. When they wake, they see the spirit bird, an eagle, flying overhead. Its significance gives the girls the extra energy they need and they are able to make it back to their home.
The Secret River
Melbourne
:
Text Publishing
,
2005
Z1194031
2005
single work
novel
historical fiction
(taught in 69 units)
'In 1806 William Thornhill, a man of quick temper and deep feelings, is transported from the slums of London to New South Wales for the term of his natural life. With his wife Sal and their children he arrives in a harsh land he cannot understand.
'But the colony can turn a convict into a free man. Eight years later Thornhill sails up the Hawkesbury to claim a hundred acres for himself.
'Aboriginal people already live on that river. And other recent arrivals - Thomas Blackwood, Smasher Sullivan and Mrs Herring - are finding their own ways to respond to them.
'Thornhill, a man neither better nor worse than most, soon has to make the most difficult choice of his life.
'Inspired by research into her own family history, Kate Grenville vividly creates the reality of settler life, its longings, dangers and dilemmas. The Secret River is a brilliantly written book, a groundbreaking story about identity, belonging and ownership.' (From the publisher's website.)
True History of the Kelly Gang
St Lucia
:
University of Queensland Press
,
2000
Z668312
2000
single work
novel
historical fiction
(taught in 29 units)
'"I lost my own father at 12 yr. of age and know what it is to be raised on lies and silences my dear daughter you are presently too young to understand a word I write but this history is for you and will contain no single lie may I burn in Hell if I speak false."
'In TRUE HISTORY OF THE KELLY GANG, the legendary Ned Kelly speaks for himself, scribbling his narrative on errant scraps of paper in semi-literate but magically descriptive prose as he flees from the police. To his pursuers, Kelly is nothing but a monstrous criminal, a thief and a murderer. To his own people, the lowly class of ordinary Australians, the bushranger is a hero, defying the authority of the English to direct their lives. Indentured by his bootlegger mother to a famous horse thief (who was also her lover), Ned saw his first prison cell at 15 and by the age of 26 had become the most wanted man in the wild colony of Victoria, taking over whole towns and defying the law until he was finally captured and hanged. Here is a classic outlaw tale, made alive by the skill of a great novelist.' (From the publisher's website.)
Verandah People : Stories
Vancouver
:
Raincoast Books
,
2003
Z1197925
2003
selected work
short story
(taught in 1 units)
First appearing in The Bulletin in 1892, Henry Lawson's short story 'The Drovers Wife' is today regarded as a seminal work in the Australian literary tradition. Noted for it's depiction of the bush as harsh, potentially threatening and both isolated and isolating, the story opens with a simple enough premise: an aggressive--and presumably deadly--snake disrupts the working life of a bushwoman and her young children. Brave but cautious, the woman resolves to protect her children since her husband is, characteristically, away from home and of no help.
As time passes within the story, tension builds, and the snake's symbolic threat takes on layers of meaning as the sleepless heroine recalls previous challenges she faced while her husband was away. A series of flashbacks and recollections propel the story through the single night over which it takes place, and by the time the climax arrives--the confrontation with the snake--readers have learned much about the heroine's strengths and fears, most of the latter involving the loss of children and dark figures who encroach upon her small, vulnerable homestead. To be sure, this "darkness" is highly symbolic, and Lawson's use of imagery invokes Western notions of good and evil as well as gendered and racial stereotypes.
After Battersea Park
Vancouver
:
Raincoast Books
,
2001
Z949169
2001
single work
novel
mystery
romance
(taught in 1 units)
While most of the action takes place in Sydney, Australia, and Toronto, this whirlwind tour of long-separated twins also lands in Hawaii, London, Scotland, Madrid, and Mallorca. The twins - Curt, an Australian jazz musician, and William, a Canadian visual artist - were driven in different directions at the age of four when their drug-addict father separated from their mother. She soon found she could not feed the children and had to give them up. At age 27, they learn of each other’s existence and begin a journey that draws them together from different ends of the world.
Remembering Babylon
London
Milsons Point
:
Chatto and Windus
Random House
,
1993
Z452447
1993
single work
novel
historical fiction
(taught in 48 units)
'In the mid-1840s, a thirteen-year-old boy, Gemmy Fairley, is cast ashore in the far north of Australia and taken in by Aborigines. Sixteen years later, when settlers reach the area, he moves back into the world of Europeans, men and women who are staking out their small patch of home in an alien place, hopeful and yet terrified of what it might do to them.
Given shelter by the McIvors, the family of the children who originally made contact with him, Gemmy seems at first to be guaranteed a secure role in the settlement, but there are currents of fear and mistrust in the air. To everyone he meets - from George Abbot, the romantically aspiring young teacher, to Mr Frazer, the minister, whose days are spent with Gemmy recording the local flora; from Janet McIvor, just coming to adulthood and discovering new versions of the world, to the eccentric Governor of Queensland himself - Gemmy stands as a different kind of challenge, as a force which both fascinates and repels. And Gemmy himself finds his own whiteness as unsettling in this new world as the knowledge he brings with him of the savage, the Aboriginal.' - Publisher's blurb (Chatto & Windus, 1993).
The Unusual Life of Tristan Smith
Toronto
:
Random House Canada
,
1994
Z508427
1994
single work
novel
(taught in 2 units)
Peter Carey has wholly reimagined the world in The Unusual Life of Tristan Smith. It is vaguely futuristic, underlain with the sediment of a recently ruined past, just post-colonial, culturally monolithic, and although everything seems familiar, nothing is quite recognizable. Our guide here is Tristan Smith himself: a freak of nature, a 'cracked and mended pot' of flesh that hides a 'normal' human being. Tristan is everything one could ask for in a companion and interpretive center of attention - one way or another - wherever he goes, he is sharp-eyed and quick-witted, unsentimental and unforgiving: the perfect witness to the fact and extraordinary effect of his own 'monstrosity.' Tristan takes us barrelling through his life and times (learning to be invisible and viable, coming of age, losing his mother, searching for his father, transforming himself from something people are afraid even to imagine into something already sanctioned for their imaginations), down a riotously populated, circuitous path that leads, finally, to the Sirkus: the newest entertainment opiate, the inspiration of slavish devotion in audiences, and, perhaps, the source of Tristan's ultimate transformation. The Unusual Life of Tristan Smith is the picaresque made post-modern, a tragicomedy in constant, convulsive motion. (Source: Trove)
