y separately published work icon Griffith Review periodical issue  
Issue Details: First known date: 2025... no. 87 February 2025 of Griffith Review est. 2003- Griffith Review
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AbstractHistoryArchive Description

'Sometimes, If I can't get to sleep, I imagine I'm back in the house where I grew up. ('Grew up' is probably a stretch - we lived there for nearly seven years, beginning when I was eight, but it was the longest we'd lived anywhere and when the time finally came, I found it hard to countenance the idea of leaving.) It was an old cottage on a hill in south-east England, and it had creaking floorboards, beamed ceilings and a long, unruly garden. There'd been a death upstairs the year before we moved in - one of the previous owners had had cancer and passed away in the master bedroom, surrounded by his family - but it was a peaceful house, and at well over a hundred years old must have witnessed more than one life reach its end. I like to go back there in my mind's eye, conjuring the slightly crooked hallway, the doors that never neatly fit their frames, the tiny kitchen with its overwhelmingly wheaten spectrum of 1980s browns. Like handwriting on old foolscap, the more specific details have long faded with time, but the feeling remains: that ineffable sense of calm and familiarity that I associate with being home.' (Publication summary)

Contents

* Contents derived from the 2025 version. Please note that other versions/publications may contain different contents. See the Publication Details.
No Secret Passageway : Stories of Flight and Migration, Kate Pullinger , single work essay
'IN 2001 I read an article in The Guardian newspaper about a man who fell from the sky, landing in a superstore car park not far from where I live in London. The article, by journalists Esther Addley and Rory McCarthy, detailed how the Metropolitan Police discovered the dead man’s identity through a combination of luck, Interpol and British-Pakistani community workers. Muhammad Ayaz had managed to slip through security at Bahrain airport, run across the tarmac and, according to witnesses on the plane, disappear beneath the wing of the British Airways Boeing 777. The article quotes a spokesman from the International Air Transport Association: a myth circulates that there is a ‘secret hatch from the wheel bay into the cargo bay, and then into the passenger cabin, as if it were a castle with a dungeon and a series of secret passageways’. No such passageway exists and Muhammad would have found himself trapped in the wheel bay with no oxygen, no heating and no air pressure as well as no way out. If he wasn’t crushed or burned by the retracting wheels, he may have frozen to death once the flight reached30,000 feet, finally falling out hours later when the plane lowered its landing gear as it prepared to touch down at Heathrow.' (Introduction)
(p. 9 - 15)
Home Is Where the Haunt Is : Exorcising the Ghosts of Places Past, Ceridwen Dovey , single work essay
'I BELIEVE we are all haunted by the place of our birth – which is chosen without our consent. Unlike a place of residence, which implies some agency in the matter, the place we are born becomes part of the psychological, sociological inheritance that is ours as much as a genetic inheritance is. To understand social life, which is always an aspect of the world-building energy of fiction, one must confront the ghostly aspects of it: the spirits who lingered in that place of our birth, the ones who blessed or cursed us as we were born, the ones pleased or displeased with a new human offering. Writing and reading fiction is the best (maybe only) way I have of exploring the unfinished business of the past, both immediate and deep historical.' (Introduction)  
(p. 16 - 18)
Bellendi"‘Nice little bell, buddy,’ snipes some guy holding", Toby Fitch , single work poetry (p. 19)
The Blue Room, Myles McGuire , single work short story (p. 20-28)
Interstitial : The Third Culture Kid, Ahona Guha , single work essay
'THE VERY FIRST homecoming I ever had, I fell into myself. What an odd thing it was. Homecomings usually have fanfare and expectation. Mine was a quiet slipping in and a bare whisper. I was aged four, on my fourth house and second continent in my short life thus far.' 

(Introduction)

(p. 29 - 36)
Home as a Weapon of Cultural Destruction : The Politics of Dispossession, Shauna Bostock , single work essay
'IT WILL PROBABLY be considered controversial of me to contend that within this nation’s Aboriginal history, home has been wielded by successive Australian governments as a weapon of cultural destruction. I am an Aboriginal historian, and as I sat down to write about the idea of ‘home’ from the perspective of Aboriginal people in history, I felt anger rising in me as I bitterly muttered, ‘What bloody home?’' 

(Introduction)

(p. 37 - 48)
Buy, Recycle, Repeat : Diderot at the Tip Shop, Brooke Boland , single work essay

'The tip shop opens at 10 am every Thursday. By 9.50 am there's a line at the gate at least ten people deep. There's the old couple who resell what- ever they find here on Facebook Marketplace; the man who wears thongs year-round, no matter the weather; the retired tradies who know their way through a bucket of screws and a row of rusted tools. Elbow to elbow they wait, each hoping to be the first across the line. Restless thoroughbreds at the starting gate. And there's Dad, tall, standing to one side with his hands in his pockets. Already looking over everyone's heads to see what's in the yard.' (Introduction)

(p. 49 - 53)
The Pool, Tim Loveday , single work short story (p. 64-75)
Trash and Treasure, George Haddad , single work short story (p. 89-97)
Shelf Life : Secrets of the Interior, David Ellison , single work essay
'IN 1978 I launched a tactical raid of sorts in my parents’ walk-in wardrobe. This was out of character for me – until this moment the idea that they had secrets I wished to plumb or, as I might later describe it, a private life, was not just a matter of total indifference, it was inconceivable. I was surreptitiously trying on my father’s leather jacket while he was at work and noticed that the louvred cabinet standing between the open racks of rayon sundresses and wide-lapelled suits was secured by a small brass padlock. As it happened, the cabinet proved laughably insecure; the tiny key was in a glass pin dish poking out from beneath the shoe stand. On opening the lock, I found precisely what a fourteen-year-old would wish most to find behind a moderately defended door.' 

(Introduction)

(p. 98 - 105)
Blackheath Mating Ritualsi"Clouds ripple, sunshine splashes,", James Gering , single work poetry (p. 106)
More Than Maternity : Representations of Breastfeeding in Western Art, Lauren Carroll Harris , single work essay

'Like many professional drifters of my generation, I had moved house often and quickly until my thirties, and home had become quite a melancholy idea. The pandemic placed me on the floor of a valley a few hours from the city. I had always been trying to move, someplace, anyplace, outside of this country's borders, and COVID-19 put a final end to my youth and all my futile efforts to leave forever. As the general lockdown stretched on, I accepted that I now lived with my partner in the spider-webbed farmhouse of his childhood. It was not the big change I had expected, but I hurtled my way further and further into my new country life, and we fell pregnant the following year.' (Introduction)

(p. 107 - 117)
Steering Upriver : Where Earth Meets Water in the American Heartland, Amanda Niehaus , single work essay

'My Parents met in '72, married in '73, and bought a house outside the little Mississippi River town of Fort Madison, Iowa. Two acres of land along a dirt road that became a two-lane highway when I was a toddler, our property within an imperceptible curve that drunk drivers seemed to blow off like dust, into our gully or the neighbour's front yard. Fort Madison was an old settlement: an outpost, a fort, a farming town and, progressively, an industry town built on paint and shampoo and pesticides, canned meats, fancy pens and the state maximum-security prison.' (Introduction)

(p. 118-125)
Follow the Road to the Yellow House : Seeking Creative Solace in the Mountains, Barrina South , single work essay

'The New Year has started, which means I can finally unwrap my gift. I start to pack. I kiss my husband (and the two dogs) goodbye and gently remind him not to call unless someone has died. I poke my head inside my son's dark bedroom, remind him that I am going away, and blow a kiss.' (Introduction)

(p. 126-134)
Sissys and Bros, Winnie Dunn , single work short story (p. 135-141)
Songs of the Underclasses : Parallel Lives in Translation, Cherry Zheng , single work essay

'On the days I rose before Ma did, each footstep on the stair popped the silence like a knuckle cracking. The dusky dining table looked exactly the way it did in my dreams. If I opened the window, I was sure I'd smell an ocean, and if I went outside, I would find streets that changed each time I entered them. But I just sat at the cold table, with its archaeology of receipts flattened under the glass tabletop, and waited for Windows Vista to boot up. I was writing my first novel and I was determined to get it published before I turned sixteen.' (Introduction)

(p. 135-153)
Hearthi"yes, one day, finally, it will all fall away", Cheryl Leavy , single work poetry (p. 142)
Load, Lily Holloway , single work short story (p. 154-167)
Mudth : My Family, My Home, Jacinta Baragud , single work essay

'It was July 2019 when my partner and I arrived in Sydney. Not knowing how much the world was about to change - Covid was soon to be breaking news - we'd embarked on a journey, leaving behind our family and the home we'd made in Cairns over the past ten years.' (Introduction)

(p. 174-180)
One Language among Many : Learning to Listen to Country, Lia Hills , single work essay

'I pass a defunct railway siding, the remnant mound like a sleeping animal. Pull up beside a mallee wattle and text my husband, Patrick, to let him know where I am before I go out of range. In my day pack: water bottle, laptop, headphones complete with mic, fruit. If I get lost out here it won't be easy to find any form of nourishment, and I'm only just learning what plants might quench my thirst.' (Introduction)

(p. 181-189)

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Last amended 5 Mar 2025 06:46:11
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