'Emily Stewart is the author of numerous chapbooks, including Like and The Internet Blue. Her debut poetry collection Knocks (Vagabond Press 2016) won the inaugural Noel Rowe Poetry Award and reflected an assuredly varied approach as it experimented with multiple voices (not just in monologues but polyphonic within poems), erasure as a feminist poetics (with homage-like condensations of Lydia Davis, Helen Garner, Susan Sontag, Clarice Lispector and more), post-digital affect (extracting poetic value from online idioms in particular, though sometimes overwhelming the poetic value), all while interleaving themes of climate change, the cost of living, and more in an exploration of what it means and feels like to live in so-called Australia in the Anthropocene.' (Introduction)