y separately published work icon Cordite Poetry Review periodical issue   poetry  
Alternative title: Dedication
Issue Details: First known date: 2023... no. 108 1 February 2023 of Cordite Poetry Review est. 1997 Cordite Poetry Review
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'We came about this issue’s theme by dumping loved words into a shared document: nouns, verbs, phrases and onomatopoeia that stirred a shared love of intimacy with language, of play and tricksterism. It came organically to us to follow the ones we especially adored through to their etymological origins, excavating what has been evaded over time, what surprises were nested in a patina of use. As poets, we liked travelling these pathways of speech, as much evolutionary biographies of language, as they were a kind of epistemic cypher for the logics of empire, historied English. It was telling that devotion reappeared as dedication’s close friend and placeholder, an almost-malapropism that gave way to a network of linkages, each becoming the other’s obverse at nodes in a web of quotes, synonyms and citations that enfleshed the theme.' ( Lou Garcia-Dolnik and Luke Patterson : Editorial introduction)

Notes

  • Only literary material within AustLit's scope individually indexed. Other material in this issue includes:

    Writing Sound: Phonautography, Phonography and Marianne Moore’s Syllabics By Lisa Gorton  

    What Blooms Beneath a Blood-Red Sky: A Year in Aotearoa Poetry by Rebecca Hawkes

    Holy Water / Heart Vapours By Anna Kate Blair 

    ‘You think this is poetry’: Liang Luscombe in Conversation with Chunxiao Qu

    3 Ni Made Purnama Sari English Translations by Norman Erikson Pasaribu

    4 Kim Un Translations by Anton Hur

    Cottonmouth By Jam Pascual

    O! Angaanga By essa may ranapiri

    Of Freedom By April-Rose Geers

    Citrus Grove: Land Back By Joel Sedano

    Whatever wet the nylon field By Satya Dash

    Grocery Store By Fareena Arefeen

    And the Moonlight Overthrew You By Siddharth Dasgupta

    X / O / X By Chris Tse

    Memory of By Mark Lester Cunanan

    Deboning By MSE Belarmino

    portrait of the untouchable By Zoe Elisabeth 

    fairy fagdalene By Emerald Rose Anastasia 

    Broken (interaction) By A D Harper 

    
    

Contents

* Contents derived from the 2023 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Essential Gossip : Allen Ginsberg, Robert Duncan and U.S.-Australian Poetics, Brendan Casey , single work criticism

'In 1985, when the bulky anthology Technicians of the Sacred: A Range of Poetries from Africa, America, Asia, Europe and Oceania (first published in 1968) was printed in a new edition, it was advertised with the curious dust jacket recommendation: ‘hailed by the Los Angeles Times Book Review as one of the hundred most recommended American books of the last thirty-five years’. The volume’s inclusion on this list is remarkable, for, as an anthology of world poetry, it is not in any simple or traditional sense an ‘American book.’ Its opening sequence, titled ‘Origins and Namings,’ includes selections drawn from Central Australian Arrernte song cycles, passages of the Chinese I Ching and text from a shrine to Tutankhamun, all carefully organised to mirror the narrative and themes of the Biblical genesis myth (5-45). But for the Los Angeles Times Book Review, the anthology’s status as an ‘American book’ rests on the credentials of collection’s poet-editor, Jerome Rothenberg, who not only selected and arranged these foreign texts, but appended each with his own copious annotations and explanatory notes. Indeed, as Rothenberg contends in a Foreword to the collection, it is from his position as an anthologist that he rescues various religious or anthropological works, claiming them for genre of poetry. His insight, as one reviewer puts it, was twofold: that ‘poetry could be drawn from ritualistic experiences, chants, incantations, and shamanic visions that originated in Africa, Asia, Oceania, or within Native American groups’ and that ‘cutting-edge (American) avant-garde poetic advances (find) unexpected resonances in these ancient texts’ (Marmer). John Vernon concurs, describing Rothenberg’s anthology as having ‘all the earmarks (…) of a search for land, that is, a search for America, for an American tradition’ (825). For Rothenberg, contemporary American poetry must act as a creative archaeology of geography and origins: U.S. poets, he suggested, were not only reckoning with their present or future, but also re-staging their relation to the history of world poetry.'  (Introduction)

‘To Encounter the Unexpected’ : Kate Fagan in Conversation with Miro Bilbrough, Kate Fagan (interviewer), single work interview

'On 26 March 2021, in a window between lockdowns, author and filmmaker Miro Bilbrough and I met to discuss her free-wheeling memoir, In the Time of the Manaroans (Ultimo Press, 2021). The conversation transcribed here was shared with a wide audience via Zoom as part of the online ‘Room to Listen’ seminar series, hosted in Parramatta by the Writing and Society Research Centre at Western Sydney University. I now invite you to read, listen and absorb Miro’s flair for poetic storying.'  (Introduction)

‘A Poem Is Not a Puzzle with a Correct Answer’ : Anne Brewster in Conversation with Hazel Smith, Anne Brewster (interviewer), single work interview

'In an incisive review of Hazel Smith’s fifth book of poetry, ecliptical, Chris Arnold gestures to Smith’s reputation as a ‘relentlessly experimental’ poet. He notes the book title’s uncanny – because unintended but entirely logical – connection with Ern Malley’s iconoclastic The Darkening Ecliptic, to draw out some intriguing comparisons between these two books. Since her first volume, Abstractly Represented, Smith has been an innovator in Australia, in linguistic and generic experimentation. She has also been a pioneer in performance writing, intermedia work and electronic writing and her work has continued to break new ground over an impressive career spanning four decades. Nevertheless, Smith loses no time in problematising the descriptor ‘experimental’ in this interview. During our interview, Smith reflects on her commitment to expanding her own flamboyantly eclectic repertoire, discussing her interest in enigma, immersion, the alignment of the satirical and the surreal, the discomfort that humour in poetry often produces and computer-generated text. Smith had formerly been a professional musician and examines music’s formative impact on her poetry. She excavates her complex relationship with her Jewish heritage and talks frankly about the strictures of proscribed ethnic identities. Smith’s critical cosmopolitanism is evident in tropes of migration, displacement and transgenerational trauma, and in her attention, throughout these poems, to the precarity of many diasporic peoples.' (Introduction)

Choke, Mandy Ord (illustrator), single work art work
Introduction to Pooja Mittal Biswas’s Hunger and Predation, Mani Rao , Pooja Mittal Biswas , single work essay

'In this fifth book of poetry, Pooja Mittal Biswas’s voice achieves musicality. While strong themes lend coherence to the whole, the language cascades and moves forward with an inner force.' (Introduction)

An Anatomy of Romancei"Tomorrow I will learn that my body is romantic.", Julia Rose Bąk , single work poetry
Huntsmani"Listen—", Ren Jiang , single work poetry
To The Governor Part IIi"Imposing my will", Blain Locke Jr , single work poetry
Bluei"the moon that knew just what I was there for | the heap on the floor", Terry Jaensch , single work poetry
The Modernsi"D.H. Lawrence", Daniel Pilkington , single work poetry
Detachmenti"The blonde tourist took her picture", Naomi Cammayo , single work poetry
UFO Virgini"The evening we saw a white blood cell squirming across a black sky in the south he lost his key. Since the day", Jamie Marina Lau , single work poetry
Swearing into the Voidi"The function of fuck", Tara Willoughby , single work poetry
Chinaman Fishi"It’s a pain", Yu Ouyang , single work poetry
Water under the Bridge (after Lucy Ellmann)i"… how I don’t want this to be a memory thing . rather a you-had-to-be-there kind of thing . to feel the", Chris Konrad , single work poetry
Gariwerd, Misha Nathani , single work poetry
Insomniai"I don’t believe in ghosts", Sarah Loveday , single work poetry
Ars Poetica, St Kildai"Every Bohemia needs its poets.", Michael Mintrom , single work poetry
Solstice 2.0i"At this time,", Robert Juan Kennard , single work poetry
A Handbook for Winter Daysi"Secure any bare-boned trees ensconced in winter’s silence,", Charles D'Anastasi , single work poetry

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 16 Mar 2023 12:43:11
X