'A grizzly bear goes on the run after eating a teenager. A hotel room participates in an unlikely conception. A genetically altered platypus colony puts on an art show. A sabretooth tiger falls for the new addition to his theme park. An airline seat laments its last useful day. A Shakespearean monkey test pilot launches into space.
'The stories in Here Be Leviathans take us from the storm drains under Las Vegas to the Alaskan wilderness; the rainforests of Queensland to the Chilean coastline. Narrated in Chris Flynn’s unique and hilarious style by animals, places, objects and even the (very) odd human, these short fictions push the boundaries of the form by examining human behaviour from the perspective of the outsider.' (Publication summary)
'With a new book of short fiction, Chris Flynn shapes characters that let his imagination play.'
'Chris Flynn’s Here Be Leviathans is a collection of short stories that seems quirky and light-hearted, propelled by its creative use of perspective. Each story is established from a surprising vantage point and so the world as Flynn imagines it becomes topsy-turvy – anything at all might be alive and sentient. Animals, chairs, boats, you name it.' (Introduction)
'Twelve weeks have passed since I left social media to finish my thesis. Twitter was training my brain to think in short, varied bursts, puffs and huffs of information and comment. I know it has been twelve weeks because I can identify the point in my photo reel where I last considered a shot being anything other than grist for the mill of my singular gratification.' (Introduction)
'There’s a theory that short fiction is the perfect panacea for modern life. As our attention spans grow weak on a diet of digital gruel and as our free time clogs up with late-night work emails, enter the short story as an efficient fiction-booster administered daily on the commute between suburb and CBD. I love this theory, and I will forever resent Jane Rawson for exposing its flaws in a 2018 Overland article on the subject. Rawson explains that most time-poor readers prefer to dip in and out of long novels, where they can greet familiar worlds without the awkward orientation period required by a new text. In contrast, says Rawson, collections of ‘stories plunge you back into that icy pool of not-knowing every 500, 800, 2000 or 5000 words. Who wants that? Pretty much no-one, if bestseller lists are anything to go by.’' (Introduction)
'There’s a theory that short fiction is the perfect panacea for modern life. As our attention spans grow weak on a diet of digital gruel and as our free time clogs up with late-night work emails, enter the short story as an efficient fiction-booster administered daily on the commute between suburb and CBD. I love this theory, and I will forever resent Jane Rawson for exposing its flaws in a 2018 Overland article on the subject. Rawson explains that most time-poor readers prefer to dip in and out of long novels, where they can greet familiar worlds without the awkward orientation period required by a new text. In contrast, says Rawson, collections of ‘stories plunge you back into that icy pool of not-knowing every 500, 800, 2000 or 5000 words. Who wants that? Pretty much no-one, if bestseller lists are anything to go by.’' (Introduction)
'Twelve weeks have passed since I left social media to finish my thesis. Twitter was training my brain to think in short, varied bursts, puffs and huffs of information and comment. I know it has been twelve weeks because I can identify the point in my photo reel where I last considered a shot being anything other than grist for the mill of my singular gratification.' (Introduction)
'Chris Flynn’s Here Be Leviathans is a collection of short stories that seems quirky and light-hearted, propelled by its creative use of perspective. Each story is established from a surprising vantage point and so the world as Flynn imagines it becomes topsy-turvy – anything at all might be alive and sentient. Animals, chairs, boats, you name it.' (Introduction)
'With a new book of short fiction, Chris Flynn shapes characters that let his imagination play.'
