'Clem Christesen and Stephen Murray-Smith were giants of the world of Australian books and writing from the 1940s to 1980s'Lilliput', in this dual biography, is the world of literary magazines in Australia between the 1940s and the 1980s. Here Clem Christesen and Stephen Murray-Smith, of the journals Meanjin and Overland, were determined, driven visionaries. Both were very human-and occasionally bruised-believers in and workers for a better nation. The book ranges from before the Menzies era and the Cold War, through the Whitlam period and beyond to the challenges of the 1980s. It shows how the editors constantly aimed for a culture more liberal, diverse and developed than the one then prevailing. Their publications may have lacked resources and economic return, but they nonetheless possessed authority, regularly providing stimulation for their readers and for the nation. In finely wrought detail, Jim Davidson - the second editor of Meanjin - traces the commitment of Christesen and Murray-Smith to this ambitious cultural project and how it attracted many of the key writers and thinkers of those years. There are pen portraits of many of them, as the reader is taken behind the scenes. Emperors in Lilliput exhibits the enlightened creative spirit animating these journals at their best. It is at once captivating biography and rich social history.' (Publication summary)
(Introduction)
'Periodicals of all formats provide insight into the times in which they were produced. This is especially so for long-lived periodicals with similarly long-lived editors whose influence reaches well beyond their editorial desk and into the culture they are compelled to transform. The periodicals shelves of our libraries provide a quiet space in which the long runs of Meanjin and Overland can be found in their physical form, sometimes facing each other across the aisle, or sometimes closer together in smaller libraries like mine. But this silence belies the dynamic and sometimes uncomfortable processes that preceded each issue. Through close personal connections to these processes and supported by a wealth of archival evidence, Jim Davidson’s Emperors in Lilliput brings these two magazines and their founding editors to life in vivid detail.' (Introduction)
'Overland and Meanjin, Australia’s longest-running literary journals, have already been chronicled in a depth befitting their statuses, and that of their venerable foundation editors, Stephen Murray-Smith (1922–1988) and Clem Christesen (1911–2003): Meanjin in the form of a (semi)approved history, Just City and Mirrors by Lynne Stahan, and Overland thanks in large part to the accumulated efforts of former editor John McLaren.' (Introduction)
'A biography of two very different editors illuminates literary life in postwar Australia'
'The cover of Jim Davidson’s Emperors in Lilliput juxtaposes a photograph of Meanjin’s Clem Christesen smoking a pipe with a picture of Overland’s Stephen Murray-Smith lighting his.'
'The cover of Jim Davidson’s Emperors in Lilliput juxtaposes a photograph of Meanjin’s Clem Christesen smoking a pipe with a picture of Overland’s Stephen Murray-Smith lighting his.'
'Overland and Meanjin, Australia’s longest-running literary journals, have already been chronicled in a depth befitting their statuses, and that of their venerable foundation editors, Stephen Murray-Smith (1922–1988) and Clem Christesen (1911–2003): Meanjin in the form of a (semi)approved history, Just City and Mirrors by Lynne Stahan, and Overland thanks in large part to the accumulated efforts of former editor John McLaren.' (Introduction)
'Periodicals of all formats provide insight into the times in which they were produced. This is especially so for long-lived periodicals with similarly long-lived editors whose influence reaches well beyond their editorial desk and into the culture they are compelled to transform. The periodicals shelves of our libraries provide a quiet space in which the long runs of Meanjin and Overland can be found in their physical form, sometimes facing each other across the aisle, or sometimes closer together in smaller libraries like mine. But this silence belies the dynamic and sometimes uncomfortable processes that preceded each issue. Through close personal connections to these processes and supported by a wealth of archival evidence, Jim Davidson’s Emperors in Lilliput brings these two magazines and their founding editors to life in vivid detail.' (Introduction)