Issue Details: First known date: 2020... 2020 Introducing Showpony : An Inclusive Space for Cross-arts Performance and Connection
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AbstractHistoryArchive Description

'This collaborative paper argues that on-campus open mic events enrich university culture, which in turn enriches holistic learning and wellbeing. To demonstrate, we present four accounts of Showpony, our university’s monthly creative performance and pop up bar night. Originally held in a pub near campus, Showpony shifted into a student lounge space in early 2018. The move followed queerphobic and ableist discrimination against Showpony participants making continued use of the public venue untenable. Initially, we went to campus out of necessity: there is no other nearby venue with a suitably-sized, fully-accessible performance space. However, since moving, we recognise that operating on campus provides other benefits. Showpony nights intervene in and to degrees, cuts through the institutional space. Or, in Deleuze and Guattari’s terms, Showpony introduces something smooth into an otherwise striated territory. This prompts different ways of being in and working through the space, fostering styles of learning and interaction that don’t necessarily occur in lectures or tutorials. Our paper’s four accounts of Showpony encompass staff and student perspectives, including participant as well as organiser viewpoints. We aim to elucidate how Showpony has enriched our university culture, and to provide insights for those interested in running similar events.' (Publication abstract)

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    y separately published work icon TEXT Special Issue Website Series Creating Communities : Collaboration in Creative Writing and Research no. 59 October Lee McGowan (editor), Alex Philp (editor), Ella Jeffery (editor), 2020 20756512 2020 periodical issue 'An Early Career Researcher (ECR), a Higher Degree Research (HDR) candidate and an older researcher walk into a bar … a cliché perhaps, but we are keenly aware that this is all too often how discussions of collaborative endeavours begin. We are confident it is how a number of the contributions in this Special Issue began – the creation of informal spaces, opportunities and networks to make it possible is the focus of at least one article. The idea for a TEXT Special Issue centred on collaboration emerged when we, as three creative writing academics in different stages of our careers, began discussing not only how we collaborated, but why we did (or did not) do it. Our discussions ranged from the collaborative process as a means to build capacity, academic employability, and a research profile; to produce a sense of belonging in HDR communities; and to the deeply rewarding though at times challenging nuances of working with colleagues who are also friends. Collaborative endeavours raise questions of opportunity and innovation, and of power shifts and hierarchies, as well as of what we value as practitioners. The increasing pressure to publish placed on academics in all stages of their careers by both our institutions and the broader research environment demands further considerations. Questions raised in our early discussions are centred in this Special Issue. We ask: How does collaboration in our patch of the academy work? What are the possible benefits and challenges of collaborative practice? How do we build creative writing communities in the academy, and why should we?' (Lee McGowan, Alex Philp and Ella Jeffery, Introduction) 2020
Last amended 28 Aug 2024 13:55:21
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