Carving Out an Australian Sensory Cinema single work   criticism  
Issue Details: First known date: 2018... 2018 Carving Out an Australian Sensory Cinema
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  • Appears in:
    y separately published work icon Australian Screen in the 2000s Mark David Ryan (editor), Ben Goldsmith (editor), Oxford : Oxford University Press , 2018 18451011 2018 anthology criticism

    'This book provides coverage of the diversity of Australian film and television production between 2000 and 2015. In this period, Australian film and television have been transformed by new international engagements, the emergence of major new talents and a movement away with earlier films’ preoccupation with what it means to be Australian. With original contributions from leading scholars in the field, the collection contains chapters on particular genres (horror, blockbusters and comedy), Indigenous Australian film and television, women’s filmmaking, queer cinema, representations of history, Australian characters in non-Australian films and films about Australians in Asia, as well as chapters on sound in Australian cinema and the distribution of screen content. The book is both scholarly and accessible to the general reader. It will be of particular relevance to students and scholars of Anglophone film and television, as well as to anyone with an interest in Australian culture and creativity.'

    Source: Publisher's blurb.

    Oxford : Oxford University Press , 2018
    pg. 261-283
Subjects:
  • Samson and Delilah Warwick Thornton , 2009 single work film/TV
  • Hail Amiel Courtin-Wilson , 2011 single work film/TV
  • Dead Europe Louise Fox , 2012 single work film/TV
  • Snowtown Shaun Grant , 2010 single work film/TV
  • Canopy Aaron Wilson , 2013 single work film/TV
  • Fell Kasimir Burgess , Natasha Pincus , 2013 single work film/TV
  • Partisan Sarah Cyngler , Ariel Kleiman , 2015 single work film/TV
  • Tanna Martin Butler , John Collee , Bentley Dean , 2015 single work film/TV
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