image of person or book cover 6774113548917909328.jpg
Screen cap from promotional trailer
form y separately published work icon Hail single work   film/TV   thriller   crime  
Issue Details: First known date: 2011... 2011 Hail
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'Dan is in love with Leanne. They were born on the same day - 19th June 1960. They eat together. They live together. They steal together. When Dan's love is suddenly ripped away from him, he is reduced to savagery. The past is not a dead thing, but may return, like a hunter, to follow us for a time.'

Source: Screen Australia. (Sighted: 29/1/2014)

Notes

  • In interviews, Amiel Courtin-Wilson emphasises that although the two protagonists play characters with their own names (and, to some extent, their own histories), the film should not be watched as fact or as documentary, but as fiction.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

Carving Out an Australian Sensory Cinema Claire Henry , 2018 single work criticism
— Appears in: Australian Screen in the 2000s 2018; (p. 261-283)
Examines a set of films that ground narrative-based stories in tactile experiences.
The 100 Best Australian Films of the New Millenium Erin Free , Dov Kornits , Travis Johnson , 2016 single work column
— Appears in: FilmInk , 22 September 2016;
Hail Reigns and Shines Chris Kennedy , 2013 single work review
— Appears in: The Canberra Times , 9 February 2013; (p. 9)

— Review of Hail Amiel Courtin-Wilson , 2011 single work film/TV
Australian Psycho Harry Windsor , 2013 single work column
— Appears in: The Weekend Australian , 13-14 July 2013; (p. 16-17)
'Violent crime films take realism to a new level and pierce the myth of mateship, writes Harry Windsor.'
Espionage Caper Evan Williams , 2012 single work review
— Appears in: The Weekend Australian , 27 - 28 October 2012; (p. 16-17)

— Review of Hail Amiel Courtin-Wilson , 2011 single work film/TV
Hail Damage Stephen Fitzpatrick , 2012 single work review
— Appears in: The Weekend Australian , 13-14 October 2012; (p. 17)

— Review of Hail Amiel Courtin-Wilson , 2011 single work film/TV
Espionage Caper Evan Williams , 2012 single work review
— Appears in: The Weekend Australian , 27 - 28 October 2012; (p. 16-17)

— Review of Hail Amiel Courtin-Wilson , 2011 single work film/TV
Hail Reigns and Shines Chris Kennedy , 2013 single work review
— Appears in: The Canberra Times , 9 February 2013; (p. 9)

— Review of Hail Amiel Courtin-Wilson , 2011 single work film/TV
Hail of Applause for Australia's Lone Contender at Venice Film Festival Stephanie Bunbury , 2011 single work column
— Appears in: The Sunday Age , 4 September 2011; (p. 9)
Critics Hail a 'Damaged Love Story' with Film Prize Philippa Hawker , 2012 single work column
— Appears in: The Saturday Age , 18 August 2012; (p. 18)
Strong Selection for Second AACTA Awards Michael Bodey , 2012 single work column
— Appears in: The Australian , 29 August 2012; (p. 15)
The Best of 2012 Australian Art : Film Adrian Martin , 2012 single work column
— Appears in: The Monthly , October no. 83 2012; (p. 65-66)
Australian Psycho Harry Windsor , 2013 single work column
— Appears in: The Weekend Australian , 13-14 July 2013; (p. 16-17)
'Violent crime films take realism to a new level and pierce the myth of mateship, writes Harry Windsor.'
Last amended 29 Jan 2014 13:50:56
X