'According to Roland Barthes, the autobiographic act of remembering and reclaiming the past commits the fallacy of conflating the author, narrator and protagonist, and giving the first two power over the latter. The past self is a fictional ‘other’, and the writing of memoir is a reading of the past self as a text. JM Coetzee therefore calls his meta-autobiographies (the three-part Scenes from a Provincial Life) autrebiographies, or ‘other-life-writing’. In this paper, I discuss the need for writers of memoir and autobiography to construct a past self as ‘other’, and argue for the impossibility of any kind of authentic representation of the ‘self’ in memoir or autobiography.' (Publication abstract)