'The Tattooist of Auschwitz is based on the true story of Lale and Gita Sokolov, two Slovakian Jews who survived Auschwitz and eventually made their home in Australia. In that terrible place, Lale was given the job of tattooing the prisoners marked for survival - literally scratching numbers into his fellow victims' arms in indelible ink to create what would become one of the most potent symbols of the Holocaust. Lale used the infinitesimal freedom of movement that this position awarded him to exchange jewels and money taken from murdered Jews for food to keep others alive. If he had been caught, he would have been killed; many owed him their survival.
'There have been many books about the Holocaust - and there will be many more. What makes this one so memorable is Lale Sokolov's incredible zest for life. He understood exactly what was in store for him and his fellow prisoners, and he was determined to survive - not just to survive but to leave the camp with his dignity and integrity intact, to live his life to the full. Terrible though this story is, it is also a story of hope and of courage. It is also - almost unbelievably - a love story. Waiting in line to be tattooed, terrified and shaking, was a young girl. For Lale - a dandy, a jack-the-lad, a bit of a chancer - it was love at first sight, and he determined not only to survive himself but to ensure that Gita did, too. His story - their story - will make you weep, but you will also find it uplifting. It shows the very best of humanity in the very worst of circumstances.
'Like many survivors, Lale and Gita told few people their story after the war. They eventually made their way to Australia, where they raised a son and had a successful life. But when Gita died, Lale felt he could no longer carry the burden of their past alone. He chose to tell his story. ' (Publication summary)
Dedication: To the memory of Lale Sokolov. Thank you for trusting me to tell your and Gita's story.
'Bestsellers, defined by the high sales numbers they achieve and the hype they generate, are success stories that periodically galvanise the contemporary book industry. Most publishers actively seek to produce bestsellers, using a range of strategies. Contemporary bestsellers, particularly from peripheral markets and by debut authors, are produced through the strategic joining of two co-existing modes of capitalism: conglomerate capitalism and platform capitalism. This article analyses the publication pathways and reception of two debut bestsellers by Australian authors: Hannah Kent’s Burial Rites and Heather Morris’ The Tattooist of Auschwitz. To analyse these case study titles, we constructed publishing histories, collected five media reviews for each book from reputable publications and literary journals, and scraped the top 100 reviews on Goodreads. These case studies show how the particular textual qualities of each book, highlighted in publishers’ marketing material, shape the media and reader reception of each book, and the mechanisms and strategic alliances with traditional institutional and platform networks at work in producing success in post-digital book culture. Bestsellers show the logics and systems of an industry in flux, and the strategies that can support a debut work to reach a mass audience.' (Publication abstract)
'Over the last couple of months, one could observe a real flood of publications about Auschwitz on the book market. However, these are not scientific literature, but literary products, which, given their form and subject matter, ought to be classified as historical novels. [...] The phenomenon became the inspiration for writing this text, the aim of which is not only to review contemporary novels but above all to assess the phenomenon of this peculiar "fashion for Auschwitz literature" on the example of several selected works.'
Source: Introduction.
'Early on in this book, the fictional Lale Sokolov, based on the real man of that name who survived Auschwitz and its horrors to eventually live in suburban Melbourne, has his arm tattooed. Aghast, he laments, ‘How can someone do this to another human being?’ He wonders if, ‘for the rest of his life, be it short or long, he will be defined by this moment, this irregular number: 32407’. The story that follows explores this first theme by exposing the nadir of human depravity as represented by the Holocaust’s perpetrators, and refutes his second thought. Although given the loathsome function of the tattooist, Lale lives in opposition to the Nazi fantasy that Jews, Gypsies, and others could thus be reduced to their withered husks; his gestures of kindness and sacrifice flow endlessly towards his fellow inmates and his lifelong love, Gita.' (Introduction)
'The story of Lale Sokolov’s three years in Auschwitz-Birkenau was recounted by him to Heather Morris, in Melbourne, as he neared the age of 90. Gita, his wife of almost 60 years, had recently died and Lale was eager, before he joined her, to tell his story, so that “It would never happen again.” Morris was introduced as a potential biographer.' (Introduction)
'Stories from the Holocaust are some of the most enduring of the past century. One of the reasons for this is that they are all incredible – the resilience, strength and survival of those targeted by the Nazi regime is remarkable and must never be forgotten. In The Tattooist of Auschwitz, Heather Morris retells the story of one such survivor: Slovakian Jew Lale Solokov. Lale was a tattooist at Auschwitz-Birkenau from 1942 until 1945 and his is just one of the many remarkable stories to come from this period.' (Introduction)
'Book sales grew marginally in Australia in 2018, with like-for-like growth up 1.3% in volume and 1.4% in value on the previous year, according to Nielsen BookScan.'