The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.
Assesses the accuracy of The Tattooist of Auschwitz's historical framework against the archival resources of the Auschwitz-Birkenau State Museum: acknowledges that the work is fiction, but also notes that the account of an Auschwitz tattooist is unique, and argues for the need for a documentary approach to unique resources around the Holocaust.
