Cirrus@Austlit

'The academic, critic and nun Veronica Brady once wrote that Thomas Keneally ‘has always been a writer who mattered, even when he is writing too much too quickly’ (74). For several reasons, I often ponder this brilliant line. First, it captures a fundamental truth—perhaps the fundamental truth—about Keneally’s oeuvre. Indeed, it is an even more accurate appraisal of Keneally’s legacy in 2016, taking into consideration his more than fifty published books, than it was when it appeared in the literary magazine Meanjin in 1979. Second, the brevity of Brady’s observation is admirable: she uses so few words to say so much so well. Third, Brady here offers a mixed critical response: she is at once positive and negative about Keneally, with the two responses commingling rather than competing; her tone is moderate.' (Introduction)