'You have to admire the professional writer who describes the chore of churning out the daily ration of words as 'like straining shit through a sock', though this may not have been the quotation for which Alan Moorehead would have chosen to be remembered. At the time he was Australia's most internationally celebrated writer, known for both his apparently effortless prose and the range of his subject matter, from the battlefields of World War II to the great age of European exploration in Africa. He was a cosmopolitan travel addict, the trailblazer of what was to become a golden generation of Australian expatriates (the sock simile was told to a young Robert Hughes at Moorehead's villa at the Tuscan seaside town Porto Ercole). The man of the 'great elsewhere' in Thornton McCamish's bold new biography, Moorehead had rejected the stultifying mediocrity of 'nowhere' (Melbourne) for 'somewhere' (Europe), along the way affecting an English accent that hid his origins. But it seems that he couldn't escape Australia and its idioms after all.' (Introduction)
'Notwithstanding the fact that he died alone in a hotel room following a heroin overdose at the age of fifty-three, Brett Whiteley led what for an Australian artist in particular may be characterised as a fortunate life. As Ashleigh Wilson relates in this excellent biography, Whiteley retained the capacity to astonish, despite his misadventures.' (Introduction)
'or a novel about death – assisted dying, more specifically – The Easy Way Out is incredibly funny. Steven Amsterdam has a wry sense of humour, which is always at work throughout the book, and his sardonic narrator, Evan, is perfectly pitched to offset the darkness of, and the discomfort around, the novel's subject matter.' (Introduction)
'Tara June Winch's first and only other book to date, a series of linked stories called Swallow the Air, was written while she was pregnant with her daughter Lila and published in 2006 when she was not yet twenty-three. It was shortlisted in its category for the Queensland Premier's Literary Awards and for The Age Book of the Year, and it won the Victorian Premier's Literary Award for Indigenous Writing, the Dobbie Award for a first book by a woman writer, the NSW Premier's Literary Award in the UTS Award for New Writing category, and the Sydney Morning Herald's Best Young Australian Novelists Award. Since then, Winch has published stories and articles in Vogue and McSweeney's as well as numerous major Australian publications, and has worked with Wole Soyinka after winning the Rolex Mentor and Protégé Award' (Introduction)
In the final novella of Nick Earls's quintet The Wisdom Tree, a benign security guard, Wanda, misquotes Tolstoy: 'No family is perfect. But each family isn't perfect in its own way.' Crossing between continents, each of these intersecting novellas reveals characters who variously express love for the institution of family and opportunistically exploit it. Compromised ambition flourishes throughout. Narrators find themselves support acts to the aspirations of others. Success, with its brief euphorias, might or might not come, but compromise has its own rewards.' (Introduction)