Cirrus@Austlit

'Sita Walker was raised by five strong matriarchs who taught her to believe in God and to be good. Her grandmother, mother and three aunts believed in unshakeable faith, in the power of prayer, in sacrifice, in magic, in the healing of turmeric and tea, and the wisdom of dreams. 

'But as hard as she tries to be good, Sita always suspects that deep down, she isn’t very good at all.

'At 35, she hasn’t prayed in years, her dream of true love has died, and along with it, her faith – not that she’s telling her mother, or her aunts. Instead, she abandons religion in secret, ‘taking tiny pieces of God away, one by one, under cover of darkness.’

'Now, the only way she can fulfill her destiny is to seek out the wisdom of the ones who came before, and truly understand the women who raised her. But will they understand her? Either way, the matriarchy will never be the same again.

'Traversing decades and continents – from Iran to India, Sri Lanka to the Czech Republic, Adelaide to the Torres Strait – The God of No Good is a beautifully lyrical and funny intergenerational memoir about six women and how their lives intertwine.' (Publication summary)

'In late twenty-first century Australia, Tao-Yi and her partner Navin spend most of their time inside a hyper-immersive, hyper-consumerist virtual reality called Gaia. They log on, go to work, socialise, and even eat in this digital utopia.

'Meanwhile their aging bodies lie suspended in pods inside cramped apartments. Across the city, in the abandoned 'real' world, Tao-Yi's mother remains stubbornly offline, dwindling away between hospital visits and memories of her earlier life in Malaysia.

'When a new technology is developed to permanently upload a human brain to Gaia, Tao-Yi must decide what is most important: a digital future, or an authentic past.

'Never Let Me Go meets Black Mirror, with a dash of Murakami surrealism thrown in, this is speculative literary fiction at its best.' (Publication summary)

'Mai and Hikaru went to school together in the city of Nagoya, until Hikaru disappeared when they were eighteen. It is not until ten years later, when Mai runs into Hikaru's mother, Hiromi Sato, that Mai learns he became a hikikomori, a recluse unable to leave his bedroom for years. In secret, Hiromi Sato hires Mai as a 'rental sister', to write letters to Hikaru and encourage him to leave his room.

'Mai has recently married J, a devoted salaryman with conservative ideas about the kind of wife Mai will be. The renewed contact with her old school friend, Hikaru, stirs Mai's feelings of invisibility within her marriage. She is frustrated with her life and knows she will never fulfill J's obsession with the perfect wife and mother. What else is there for Mai to do but to disappear herself?' (Publication summary)

'Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the ‘Scriptorium’, a garden shed in Oxford where her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word ‘bondmaid’ flutters to the floor. Esme rescues the slip and stashes it in an old wooden case that belongs to her friend, Lizzie, a young servant in the big house. Esme begins to collect other words from the Scriptorium that are misplaced, discarded or have been neglected by the dictionary men. They help her make sense of the world.

'Over time, Esme realises that some words are considered more important than others, and that words and meanings relating to women’s experiences often go unrecorded. While she dedicates her life to the Oxford English Dictionary, secretly, she begins to collect words for another dictionary: The Dictionary of Lost Words.' (Publication summary) 

'After a decade in Europe August Gondiwindi returns to Australia for the funeral of her much-loved grandfather, Albert, at Prosperous House, her only real home and also a place of great grief and devastation.

'Leading up to his death Poppy Gondiwindi has been compiling a dictionary of the language he was forbidden from speaking after being sent to Prosperous House as a child. Poppy was the family storyteller and August is desperate to find the precious book that he had spent his last energies compiling.

'The Yield also tells the story of Reverend Greenleaf, who recalls founding the first mission at Prosperous House and recording the language of the first residents, before being interred as an enemy of the people, being German, during the First World War.

'The Yield, in exquisite prose, carefully and delicately wrestles with questions of environmental degradation, pre-white contact agriculture, theft of language and culture, water, religion and consumption within the realm of a family mourning the death of a beloved man.'

Source: Publisher's blurb.