'This chapter discusses how writing emerging out of Gay Liberation in the 1970s offered an alternative to the masculine heteronormativity that dominated the Australian literary tradition. Emphasised that the personal was political, it foregrounded private sensuality, an exploration of the everyday, and a critique of gay discrimination. The chapter traces the development of a diversifying community in the 1980s through writing collectives, anthologies, and journals. A broadening of the spectrum of LGBTQ+ poetry in the 1990s and 2000s was informed by queer understandings of sexuality. It saw lesbian writers test the limits of lyrical poetry and an era of mainstream popularity, as exemplified in Dorothy Porter’s The Monkey’s Mask. The chapter considers how LGBTQ+ poets of colour have critiqued ideas of national belonging and white subjecthood. It then discusses the exploration of embodiment, including the turn to autotheory by contemporary trans and genderqueer writers, resistance of ableist discourses, and the navigation of illness, such as AIDS, mental illness, and chronic pain.'
Source: Abstract.
'David Malouf's poetry, marvellous as it is, is only one, comparatively small, part of a literary output noted for the variety of his modes. It is difficult to name many other writers working in poetry, the novel, the short story, the memoir, the review, the play, the critical essay and even libretti. It's tempting to say that, as in Malouf's imaginative universe, the boundaries between these modes are more porous than usual. In fact it is not a matter of Malouf mastering and excelling in different modes, but rather one of his transforming the latent possibilities of existing modes in order to make them play a part in the unfolding and expansions of this universe.' (Introduction)
