Issue Details: First known date: 1967... 1967 Twentieth Century Australian Literary Criticism
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Contents

* Contents derived from the Melbourne, Victoria,:Oxford University Press , 1967 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Australian Literature Today : A Survey, Archibald Strong , single work criticism (p. 3-7)
The Task of Australian Literature, R. C. Bald , single work criticism (p. 8-12)
The Relation of English and Australian Literatures, E. Morris Miller , single work criticism (p. 13-19)
Dance Little Wombat, Max Harris , single work criticism (p. 20-24)
Angry Penguins and After : A Contribution to Our Literary History, Max Harris , single work criticism (p. 24)
Australian Literature and Australian Literacy, Brian Elliott , single work criticism (p. 25-37)
Tradition in Australian Literature, Manning Clark , single work criticism (p. 38-44)
Australian Poetic Diction, Geoffrey Dutton , single work criticism (p. 45-54)
Literature and the Aborigines, Frederick T. Macartney , single work criticism (p. 55-66)
Towards an Australian Literature, Vincent Buckley , single work criticism (p. 75-85)
Australian Image : The Literary Heritage, Harry Payne Heseltine , single work criticism (p. 86-101)
"The Hidden Tide", Alfred George Stephens , single work criticism (p. 105-107)
Bernard O'Dowd, Walter Murdoch , single work criticism (p. 108-110)
Hugh McCrae, Lionel Lindsay , single work criticism (p. 111-114)
Louis Stone's Jonah, Alfred George Stephens , single work criticism (p. 115-116)
Introduction: The Making of Gordon : His Debt to English Literature, A.F. Maldon Robb , single work criticism (p. 117-146)
Note: With title: Adam Lindsay Gordon's Debt to English Literature
Henry Kendall, Alfred George Stephens , single work criticism (p. 147-148)
Such is Life : The Title and the Structure of the Book, A. G. Mitchell , single work criticism
Mitchell's is probably the most significant essay on Such is Life written before the 1950s. Mitchell argues that the structure of the novel reflects the randomness of life in a rejection of the formal qualities of the conventional novel. Collins' misinterpretations are played against the reader's growing knowledge of events. The humour of this conflict is the result of Furphy's successful construction of events and narration with a consideration of the reader's ability to connect the apparently formless narrative.
(p. 149-166)
Marcus Clarke and His Critics, Vance Palmer , single work criticism (p. 167-169)
Henry Handel Richardson : (I) The Writer, Nettie Palmer , single work criticism (p. 170-180)
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