'In this potent tale of love and loneliness, Elizabeth Jolley has woven two parallel stories into a dazzlingly original novel. Arabella Thorne is a brilliant, witty and accomplished woman. The exotic tale of this flamboyant eccentric and her European travels – with jealous secretary and shy schoolgirl protégée – is the inheritance that transforms the uneventful suburban life of Miss Peabody.' (Publication summary)
Unit Suitable For
AC: Senior Secondary (Literature Unit 2)
Themes
belonging, connection to place, friendship, isolation, literature, love, marginalisation, otherness, women
General Capabilities
Critical and creative thinking, Literacy
'The final draft of this novel was completed during Jolley's time of being Writer in Residence at the Western Australian Institute of Technology.
This book is offered as an expression of thanks to the Artist in Residence Committee and, in particular, to Derek Holroyd, Brian Dibble, and Don Grant.' (Source: 2015 UQP edition )
'Elizabeth Jolley’s personal and publishing history is well known. She migrated from the United Kingdom to Western Australia with her husband, Leonard, and their three children in 1959, when Leonard was appointed Librarian at the University of Western Australia. Although she had been writing from a young age and had brought a great deal of manuscript material with her, it was not until the late 1960s that she had stories published. Fremantle Press published her first book, Five Acre Virgin and Other Stories(1976). More publications followed in rapid succession, and Miss Peabody’s Inheritance and Mr Scobie’s Riddle, Jolley’s third and fourth novels, both appeared in 1983. (Introduction)
'Elizabeth Jolley is one of Australia's most significant writers: she published some two dozen books of fiction, essays and radio dramas, won every major Australian literary award, received four honorary doctorates, was awarded the Order of Australia for service to Australian Literature in 1988, and was named an Australian 'National Living Treasure' in 1997.
Her career has its roots in the UK, the place of her birth, schooling and early marriage. In 1959 she travelled with her three children and her husband to Perth, Western Australia, where Leonard Jolley took up a position as foundation Librarian of the University of Western Australia. She brought with her a trunk full of unpublished/rejected manuscripts which provided the initial materials from which she developed her published fictions and essays in Australia.
This article explores the institutional frameworks in Australia which enabled Jolley - a constant writer from childhood - to develop, in David Carter's phrase, 'a career in writing' from the mid-1970s onwards. It argues that Jolley rewrote her foundation manuscripts (written in another country) both to imagine Australian lives and to conform to Australian publishers' requirements. In doing so, it traces how the fiction and essays translate the experience of migration/exile, often thematised through the recurrent image of being 'on the edge,' into the particular and powerful ethic of love that informs Jolley's writing.' (Author's abstract)
'Elizabeth Jolley is one of Australia's most significant writers: she published some two dozen books of fiction, essays and radio dramas, won every major Australian literary award, received four honorary doctorates, was awarded the Order of Australia for service to Australian Literature in 1988, and was named an Australian 'National Living Treasure' in 1997.
Her career has its roots in the UK, the place of her birth, schooling and early marriage. In 1959 she travelled with her three children and her husband to Perth, Western Australia, where Leonard Jolley took up a position as foundation Librarian of the University of Western Australia. She brought with her a trunk full of unpublished/rejected manuscripts which provided the initial materials from which she developed her published fictions and essays in Australia.
This article explores the institutional frameworks in Australia which enabled Jolley - a constant writer from childhood - to develop, in David Carter's phrase, 'a career in writing' from the mid-1970s onwards. It argues that Jolley rewrote her foundation manuscripts (written in another country) both to imagine Australian lives and to conform to Australian publishers' requirements. In doing so, it traces how the fiction and essays translate the experience of migration/exile, often thematised through the recurrent image of being 'on the edge,' into the particular and powerful ethic of love that informs Jolley's writing.' (Author's abstract)
