y separately published work icon Landscapes periodical issue   peer reviewed assertion
Alternative title: Ecological Creativity
Issue Details: First known date: 2012... vol. 5 no. 2 2012 of Landscapes est. 2001 Landscapes
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Notes

  • Contents indexed selectively.

Contents

* Contents derived from the 2012 version. Please note that other versions/publications may contain different contents. See the Publication Details.
The River in a Landscape of Creative Practice : Creative River Journeys, Kylie J. Stevenson , single work criticism
'In my current PhD study, Creative River Journeys, I use the metaphor of the river as a data capture tool when interviewing artist-researchers about their experiences of conducting creative practice within a university context. My use of the river functions as a metaphor for the creative process. I have adapted the River Journey tool from its previous use as a map of teacher identity and professional development, and in a project about children's musical experience. This PhD project follows a long tradition of using the river as a metaphor. For example, the river has been used in a narrative therapy approach for substance abuse recovery, in teaching leadership, and in educational psychology. In this paper, I explain my use of the river as a metaphor in the Creative River Journey PhD study, and examine the use of the river in other contexts, those outlined above, and also Csikszentmihalyi's theories of creativity and flow, Andy Goldsworthy's sculpture, and the poetry of Andrew Taylor and John Kinsella. I close the paper by briefly touching on my own use of the river as a metaphor in two autobiographical poems.' (Author's abstract)
Past Jubilee Downsi"silver-mauve against blue", Rose van Son , single work poetry
A Different Historyi"We lose the old track in places", Meg Mooney , single work poetry
Populationi"Beside the Coorong we discuss", Les Wicks , single work poetry
Landscapei"From above, from the wind, from the black eyes of a bird", Jake Dennis , single work poetry
Emails to Manila, Graham Kershaw , sequence poetry
I. Mondayi"Tropical swelter this morning in the forest after rain", Graham Kershaw , single work poetry
II. Tuesdayi"Bed hot as Manila, I've fled to verandah's damp boards,", Graham Kershaw , single work poetry
III. Wednesdayi"A bright slice of earlier sky, lemon icing over the Nullaki.", Graham Kershaw , single work poetry
IV : Thursdayi"Bottle-green air, gravel, bark and branch, filigrees of hazel,", Graham Kershaw , single work poetry
V : Fridayi"I've been beating the dawn since you left, hardly sleeping;", Graham Kershaw , single work poetry
VI : Saturdayi"Our friend told me he had entered his body, and found pleasure", Graham Kershaw , single work poetry
VII : Sundayi"I had the strangest feeling, coming out of the water, as if", Graham Kershaw , single work poetry
VIII : Mondayi"To dodge a black wave inside my head, I drove back later", Graham Kershaw , single work poetry
Dialectics Against Science, Graham Kershaw , sequence poetry
I: Hebden Bridge, West Yorkshire, Mayi"Ducks silhouette the glittering foil, dogs lap", Graham Kershaw , single work poetry
II : Denmark, Western Australia, Decemberi"In the wake of great violence, the inlet is", Graham Kershaw , single work poetry
Language of the Mouth (and it's Many Forms) after de Barros and Celani"To create a new word of the mouth not for its tongue or its", Chris Konrad , single work poetry

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Last amended 15 Apr 2014 15:27:59
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