image of person or book cover 7840934843468884341.jpg
Screen cap from promotional trailer
form y separately published work icon I, Frankenstein single work   film/TV   horror   science fiction  
Adaptation of I, Frankenstein Kevin Grevioux , 2009 single work graphic novel
Note: Co-scripted with American screenwriter Kevin Grevioux
Issue Details: First known date: 2013... 2013 I, Frankenstein
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AbstractHistoryArchive Description

'Frankenstein's monster, named Adam and having taken the surname of his creator, becomes involved in a war between two immortal clans in an ancient city.'

Source: Screen Australia (http://www.screenaustralia.gov.au/news_and_events/2012/ia_121115_MultiplatformClinic.aspx#sthash.hei4xA2U.dpuf). (Sighted: 13/1/2014)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

Australian Blockbuster Movies Mark David Ryan , 2018 single work criticism
— Appears in: Australian Screen in the 2000s 2018; (p. 51-76)
Develops a multidimensional definition of 'Australian blockbuster' and argues for their distinct status as a specific genre.
Here Be More Movie Monsters : Frankenstein, Godzilla, Whatevs... Camilla Nelson , 2014 single work review
— Appears in: The Conversation , 26 March 2014;

— Review of I, Frankenstein Stuart Beattie , 2013 single work film/TV
Humanity Absent in 'Frankenflop' Simon Weaving , 2014 single work review
— Appears in: The Canberra Times , 22 March 2014; (p. 27)

— Review of I, Frankenstein Stuart Beattie , 2013 single work film/TV
Classic Tale Lacks Soul Evan Williams , 2014 single work review
— Appears in: The Weekend Australian , 22-23 March 2014; (p. 15)

— Review of I, Frankenstein Stuart Beattie , 2013 single work film/TV
Cinema Action-Fantasy Falls Short Gothic Ambition Turns to Monstrous Farce Jake Wilson , 2014 single work review
— Appears in: The Age , 20 March 2014; (p. 30)

— Review of I, Frankenstein Stuart Beattie , 2013 single work film/TV
The Monster of Melbourne Michael Bodey , 2014 single work review
— Appears in: The Weekend Australian , 15-16 March 2014; (p. 14-15)

— Review of I, Frankenstein Stuart Beattie , 2013 single work film/TV
Into the Heart of the Monster Philippa Hawker , 2014 single work review
— Appears in: The Canberra Times , 15 March 2014; (p. 27) The Age , 15 March 2014; (p. 24)

— Review of I, Frankenstein Stuart Beattie , 2013 single work film/TV
To Be Frank, He Doesn't Cut It Leigh Paatsch , 2014 single work review
— Appears in: The Courier-Mail , 20 March 2014; (p. 32)

— Review of I, Frankenstein Stuart Beattie , 2013 single work film/TV
Barely Alive Jake Wilson , 2014 single work review
— Appears in: The Sydney Morning Herald , 20 March 2014; (p. 30)

— Review of I, Frankenstein Stuart Beattie , 2013 single work film/TV
Cinema Action-Fantasy Falls Short Gothic Ambition Turns to Monstrous Farce Jake Wilson , 2014 single work review
— Appears in: The Age , 20 March 2014; (p. 30)

— Review of I, Frankenstein Stuart Beattie , 2013 single work film/TV
Australian Film Industry in the Swim with an Influx of Big Stars Vicky Roach , 2012 single work column
— Appears in: The Courier-Mail , 2 November 2012; (p. 16)
Home-Grown Talent Attracts Hollywood Backing Garry Maddox , 2012 single work column
— Appears in: The Sydney Morning Herald , 2 November 2012; (p. 5)
Monster Mission Caris Bizzaca , 2014 single work review
— Appears in: The Courier Mail , Saturday 15 March 2014; (p. 11)

Stuart Beattie is a man on a mission. The Australian writer/director of Tomorrow, When the War Began and I, Frankenstein~ knows Australia had the potential and the talent to make epic movies.

The Monster Inside Neala Johnson , 2014 single work column
— Appears in: The Courier-Mail , 20 March 2014; (p. 31)
Australian Blockbuster Movies Mark David Ryan , 2018 single work criticism
— Appears in: Australian Screen in the 2000s 2018; (p. 51-76)
Develops a multidimensional definition of 'Australian blockbuster' and argues for their distinct status as a specific genre.
Last amended 4 Jun 2020 14:13:51
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