'Anh Do nearly didn't make it to Australia. His entire family came close to losing their lives on the sea as they escaped from war-torn Vietnam in an overcrowded boat. But nothing - not murderous pirates, nor the imminent threat of death by hunger, disease or dehydration as they drifted for days - could quench their desire to make a better life in the country they had dreamed about.
'Life in Australia was hard, an endless succession of back-breaking work, crowded rooms, ruthless landlords and make-do everything. But there was a loving extended family, and always friends and play and something to laugh about for Anh, his brother Khoa and their sister Tram. Things got harder when their father left home when Anh was thirteen - they felt his loss very deeply and their mother struggled to support the family on her own. His mother's sacrifice was an inspiration to Anh and he worked hard during his teenage years to help her make ends meet, also managing to graduate high school and then university.
'Another inspiration was the comedian Anh met when he was about to sign on for a 60-hour a week corporate job. Anh asked how many hours he worked. "Four," the answer came back, and that was it. He was going to be a comedian! The Happiest Refugee tells the incredible, uplifting and inspiring life story of one of our favourite personalities. Tragedy, humour, heartache and unswerving determination - a big life with big dreams. Anh's story will move and amuse all who read it.' (From the publisher's website.)
'Self-deprecating humor, the comedic act of making oneself the butt of the joke, is a staple of the Australian comedy industry and part of Australia’s national self-concept. Vietnamese Australian Anh Do is one of Australia’s most famous migrant comedians and performs self-deprecating humor while drawing on sometimes traumatic experiences from his personal life as part of his stand-up comedy sets. This essay examines how Do’s style of self-deprecating comedy extends from his stand-up comedy to his national bestselling memoir The Happiest Refugee (2010). The author argues that Do’s self-deprecating humor smuggles trauma to Australian audiences through laughs, and she explores the ambiguity in Do’s ability to occupy opposing identities of the “Other” and the “Aussie kid | bogan” simultaneously. Additionally, the author discusses how Do’s use of humor in his life narrative negotiates model-minority expectations leveled against Asian Australians to turn, in a subtle way, what appears to be a joke on him into a joke about the audience.' (Publication abstract)