Epigraph:
We keep coming back and coming back
[...] to the hotel instead of the hymns
That fall upon it out of the wind.
Wallace Stevens
When you see people who are thin from lack of
food, beg them to accept your help;
remember that you may need their friendship in
times to come.
Rig Veda
'The making of the Asian Australian novel is the unmaking of oppressive notions of history, subjectivity and literary form. Locating ethnic representational politics within power structures of race and nation, this chapter contends that Asian Australian identity is a site of hybrid instability realised through nonlinear forms of storytelling. The chapter examines national and diasporic paradigms across historical and contemporary trajectories of this literature: earlier Chinese Australian novels that blur boundaries between fictional and factual claims; Bildungsroman novels that trouble ethnocentric narratives of either assimilation or return; multicultural novels that unveil ongoing racism in liberal-pluralist ideals; and transnational novels that reimagine the Australian relationship with postcolonial and globalising Asian modernity. Reflecting on the limits of a critical humanist agenda, the chapter identifies an alternative paradigm of Asian Australian storytelling that employs speculative tactics to depict the land, species, climate change and Asian–Indigenous connections. This ecocritical paradigm challenges a normative ideal of the modern, autonomous and sovereign individual as one the migrant subject should integrate into, while pointing to an under-explored terrain for Asian Australian writers whose focus on diversity and justice would offer important insights into the shifting human condition.'
Source: Author's summary.
'Simone Lazaroo’s novel Sustenance (2010) explores Australian identity and its positioning of the Asian other, using the touristic setting of Bali to evidence the process of othering that takes place in Australian society, where acceptance of the other remains superficial and alterity is maintained. Through a close reading of Sustenance’s culinary extracts, this article argues that consumptive practices and the layering of stereotypes are used by Lazaroo to critically portray Australia’s neocolonial relation to Asia as well as to evidence the downsides of the consumptive celebration of difference which blinds people to the realities of racism and intolerance. It explores how world views are transmitted through foodways, and how this feature of food is used in conflicting ways: by the local population and the tourists to generate interactions that rely on the mutual essentialization of cultural differences, and by the main character to underscore commonalities and to facilitate cross-cultural understanding.' (Publication abstract)
'Simone Lazaroo’s novel Sustenance (2010) explores Australian identity and its positioning of the Asian other, using the touristic setting of Bali to evidence the process of othering that takes place in Australian society, where acceptance of the other remains superficial and alterity is maintained. Through a close reading of Sustenance’s culinary extracts, this article argues that consumptive practices and the layering of stereotypes are used by Lazaroo to critically portray Australia’s neocolonial relation to Asia as well as to evidence the downsides of the consumptive celebration of difference which blinds people to the realities of racism and intolerance. It explores how world views are transmitted through foodways, and how this feature of food is used in conflicting ways: by the local population and the tourists to generate interactions that rely on the mutual essentialization of cultural differences, and by the main character to underscore commonalities and to facilitate cross-cultural understanding.' (Publication abstract)
'The making of the Asian Australian novel is the unmaking of oppressive notions of history, subjectivity and literary form. Locating ethnic representational politics within power structures of race and nation, this chapter contends that Asian Australian identity is a site of hybrid instability realised through nonlinear forms of storytelling. The chapter examines national and diasporic paradigms across historical and contemporary trajectories of this literature: earlier Chinese Australian novels that blur boundaries between fictional and factual claims; Bildungsroman novels that trouble ethnocentric narratives of either assimilation or return; multicultural novels that unveil ongoing racism in liberal-pluralist ideals; and transnational novels that reimagine the Australian relationship with postcolonial and globalising Asian modernity. Reflecting on the limits of a critical humanist agenda, the chapter identifies an alternative paradigm of Asian Australian storytelling that employs speculative tactics to depict the land, species, climate change and Asian–Indigenous connections. This ecocritical paradigm challenges a normative ideal of the modern, autonomous and sovereign individual as one the migrant subject should integrate into, while pointing to an under-explored terrain for Asian Australian writers whose focus on diversity and justice would offer important insights into the shifting human condition.'
Source: Author's summary.
