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A Text for This Time : Theory, Ethics and Pedagogy in Teaching the Macquarie PEN Anthology of Australian Literature
2011
single work
criticism
— Appears in: Teaching Australian Literature : From Classroom Conversations to National Imaginings 2011; (p. 108-128) 'Remember the days of the old school yard? I do. More precisely, I remember much of what took place in my senior English classroom. More than a quarter of a century later, I can still recall the excitement I felt in reading particular books and authors for the first time. What I do not recall, however, is an instance of the nationality of an author influencing my engagement with their writing. For example, thinking back on why I enjoyed reading My Brother Jack, I recollect I found George Johnston's central character David Meredith appealing, but not as a representation of what it is to be an Australian. The Australia of My Brother Jack is certainly not the Australia I knew in the early 1980s, and David Meredith's experiences seemed as foreign to me then as the poets-of-origin of the clipper ships which so fascinated him. I was drawn to Meredith because of his determination to be free and - if I am honest - I hoped that I might one day end up partnered with my Cressida Morley. Is there anything exclusively Australian about David Meredith's yearning for freedom? I don't think so, not least because my reading of The Adventures of Huckleberry Finn and Tennyson's 'Ulysses' in that same school year suggested parallels in the motivations of all three characters.' (From author's preface, 108)
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A Text for This Time : Theory, Ethics and Pedagogy in Teaching the Macquarie PEN Anthology of Australian Literature
2011
single work
criticism
— Appears in: Teaching Australian Literature : From Classroom Conversations to National Imaginings 2011; (p. 108-128) 'Remember the days of the old school yard? I do. More precisely, I remember much of what took place in my senior English classroom. More than a quarter of a century later, I can still recall the excitement I felt in reading particular books and authors for the first time. What I do not recall, however, is an instance of the nationality of an author influencing my engagement with their writing. For example, thinking back on why I enjoyed reading My Brother Jack, I recollect I found George Johnston's central character David Meredith appealing, but not as a representation of what it is to be an Australian. The Australia of My Brother Jack is certainly not the Australia I knew in the early 1980s, and David Meredith's experiences seemed as foreign to me then as the poets-of-origin of the clipper ships which so fascinated him. I was drawn to Meredith because of his determination to be free and - if I am honest - I hoped that I might one day end up partnered with my Cressida Morley. Is there anything exclusively Australian about David Meredith's yearning for freedom? I don't think so, not least because my reading of The Adventures of Huckleberry Finn and Tennyson's 'Ulysses' in that same school year suggested parallels in the motivations of all three characters.' (From author's preface, 108)
Last amended 26 Sep 2011 09:56:08
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https://www.australianbookreview.com.au/abr-online/archive/2009/september-2009-no-314/286-september-2009-no-314/11257-peter-craven-reviews-macquarie-pen-anthology-of-australian-literature-edited-by-nicholas-jose
Obscuring the Heritage: Regrettable Omissions in the New National Anthology
Australian Book Review
Australian Book Review
Review of:
- Macquarie PEN Anthology of Australian Literature 2009 anthology correspondence diary drama essay extract poetry prose short story
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