'Little Bit Long Time, Ali Cobby Eckermann’s first poetry collection, takes as its subject the difficult history of Indigenous people since colonial times. Both the four decades of her own often hard and confronting personal experience, and the lives of Indigenous people over the last two hundred years are the furnace in which the steel of Ali Cobby Eckermann’s incisive poetic voice has been tempered. Her language has the sureness of one who both knows her subject matter intimately and is able to speak authentically, having reached some sort of resolution in both life and in art.' (Source: EMSAH, University of Queensland website)
Balaclava : Australian Poetry Centre , 2009 pg. 26-28'In The Best Australian Poems 2009, award-winning poet Robert Adamson puts together a selection of the most outstanding poems written by Australian authors over the past year. Alongside renowned names, the editor has solicited contributions from new and emerging poets and some of their work appears in print here for the first time. The result is a vibrant and fascinating edition of this much-loved anthology.' (Publication summary)
Melbourne : Black Inc. , 2009 pg. 37-41'It is estimated now that nearly five thousand Aboriginal authors have been published in Australia since the cultural impact of colonisation occurred. However this seems rare or vague knowledge to the outskirts of Australian literature. It seems this contribution by Aboriginal writers is somewhat limited to access or obtain for the general public who enjoy a good read, or seek an historical view point...' (Source: Cobby Eckermann Ali, and Fogarty Lionel, Southerly Vol. 71 No. 2 2011:8-11)
2011 pg. 75-79'This anthology...is a negotiation of many spaces. That of poets and their work, the idea of "Australia", the idea of being "represented" in a different demographic (America), personal or textual issues with anthologiser, who else is being included (though none outside myself and the publishers have knowledge of this until publication). Vitally, whoat matters is the conversations that arise from the anthology going public, and how the poets and readers deal with this community that has been organically and artificially induced.' John Kinsella (Source: backcover)
Monroe : LA Desperation Press Turnrow Books , 2014 pg. 168-171'The quality of Australian poetry has never been higher, nor the number of distinctive voices greater. A landmark publication, this collection presents the astonishing achievements of Australian poetry during the last quarter of a century. Over ten years in preparation, gathering over 200 poets and 500 poems, it makes the case for this country's poetry as a broadening of the universal set for all English-speakers. 'Somewhat astonishingly,' the introduction notes, 'and while no-one was looking, Australian poetry has developed a momentum and a critical mass such that it has become one more luminous field in the English-speaking imagination. Increasingly, anyone who seeks to explore the perspectives or music available in English will also have to consider the perspectives and music which have originated here - Australia having turned itself, too, into a place in the mind.' Both survey and critical review, this anthology offers a rare opportunity to explore the major national achievement of contemporary Australian poetry. (Publication summary)'
Glebe : Puncher and Wattmann , 2016'Prose poetry is a resurgent literary form in the English-speaking world and has been rapidly gaining popularity in Australia. Cassandra Atherton and Paul Hetherington have gathered a broad and representative selection of the best Australian prose poems written over the last fifty years.
'The Anthology of Australian Prose Poetry includes numerous distinguished prose poets-Jordie Albiston, joanne burns, Gary Catalano, Anna Couani, Alex Skovron, Samuel Wagan Watson, Ania Walwicz and many more and documents prose poetry's growing appeal over recent decades, from the poetic margins to the mainstream.
'This collection reframes our understanding not only of this dynamic poetic form, but of Australian poetry as a whole.' (Publication summary)
Melbourne : Melbourne University Press , 2020 pg. 72-74