y separately published work icon Missing Form : Concrete, Visual and Experimental Poems anthology   poetry   biography   prose  
Issue Details: First known date: 1981... 1981 Missing Form : Concrete, Visual and Experimental Poems
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Latest Issues

Notes

  • Experimental poetry interspersed with autobiographical statements by authors.

Contents

* Contents derived from the Melbourne, Victoria,:Collective Effort Press , 1981 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Balloonsi"balloons", Alex Selenitsch , single work poetry
The First Monotonei"monotone", Alex Selenitsch , single work poetry

Publication Details of Only Known VersionEarliest 2 Known Versions of

Note: Pi O's name given as non-alphabetic typographical device.

Works about this Work

Who's Afraid of Poetic Invention? Anthologising Australian Poetry in the Twenty-First Century A. J. Carruthers , 2018 single work criticism
— Appears in: JASAL , vol. 17 no. 2 2018;

'There has been a rich history of anthologising Australian poetry this far into the twenty-first century. This article claims that contemporary poetics, with a renewed focus on the recoprocal relation between cultural and linguistic inquiry, can rediscover alternative ways of reading the history of Australian avant-garde, inventive and experimental work. Considering several key anthologies published after the turn of last century, the article provides readings of both the frameworks the anthology-makers provide and the poems themselves, claiming that mark, trace and lexical segmentivities can already be read as social. It then proposes a new possibility for an experimental anthology that might bring these facets into lived praxis: the chrestomathy.' (Publication abstract)

New Waves in Concrete John Jenkins , 1989 single work criticism
— Appears in: Overland , May no. 114 1989; (p. 66-71)
New Waves in Concrete John Jenkins , 1989 single work criticism
— Appears in: Overland , May no. 114 1989; (p. 66-71)
Who's Afraid of Poetic Invention? Anthologising Australian Poetry in the Twenty-First Century A. J. Carruthers , 2018 single work criticism
— Appears in: JASAL , vol. 17 no. 2 2018;

'There has been a rich history of anthologising Australian poetry this far into the twenty-first century. This article claims that contemporary poetics, with a renewed focus on the recoprocal relation between cultural and linguistic inquiry, can rediscover alternative ways of reading the history of Australian avant-garde, inventive and experimental work. Considering several key anthologies published after the turn of last century, the article provides readings of both the frameworks the anthology-makers provide and the poems themselves, claiming that mark, trace and lexical segmentivities can already be read as social. It then proposes a new possibility for an experimental anthology that might bring these facets into lived praxis: the chrestomathy.' (Publication abstract)

Last amended 2 May 2014 13:47:05
Newspapers:
    Powered by Trove
    X