'This project evolved when Craig San Roque was working with a Drug and Alcohol Rehabilitation program in Central Australia. He sat with a group of old Aboriginal men around a campfire, and asked them how they would tackle the problems of alcoholism. They told him they could only tackle this problem if they had story - the story for alcohol, to help them understand and heal substance abuse and dependence. Using the story of Dionysus, the god of wine, San Roque rewrote the stories of Dionysus' life and travels in an Aboriginal storytelling style and set them in an Aboriginal narrative space, not only to make them accessible to Indigenous people, but to continue the story.' Pan 1, 2000.
'The Sugarman Song Cycle' was written as a script and has been performed in communities around Australia.
First presented at Intjartnama Outstation (120km from Alice Springs), in a dramatic sand hill setting, 24-25 August 1996 to an invited audience that included Aboriginal and European people from various communities in Central Australia.
I' first met Craig San Roque at a gathering in 1996 on a property called Glastonbell in the Blue Mountains outside of Sydney. Glastonbell had been set up a decade earlier as an eco-spiritual retreat by an eclectic, much loved mystic and devotee of deep ecology, Philip Simpfendorfer. The 1996 event was the first in a series of Sense of Place colloquia organized by John Cameron of the legendary Social Ecology program at UWS. Although most of the participants were academics, John's plan was to depart as far as possible from standard academic protocols and draw participants into a deep shared experience of place. Glastonbell was a rocky wonderland of cliffs, caverns, winding paths and hidden nooks, all with Middle Earth-type names like Dargan's Garden, The Cathedral, Valley of Continents and The Portals. Over a period of 3 - 4 days, our group met at various of these chthonic sites to discuss the conference papers which had been circulated prior to our meeting.' (Introduction)
'Attention has been caught by the mythic performance events that I have helped facilitate and perform over the past 30 years. This is a brief history and rationale for the making of such events.' (Introduction)
A documentary on the Sugarman project, which was developed in order to reeducate Aboriginal and other Australians whose lives were being destroyed by alcohol. The Sugarman concept was created by Craig San Roque and Andrew Spencer Japaljarri. It uses public performance of a new 'dreamtime' story to demonstrate the consequences of alcohol abuse and to encourage people to take responsibility for its effect on their personal lives, their families, and their communities. The documentary was filmed at Injartnama, in Central Australia, where the 1999 performance of Sugarman took place.
A documentary on the Sugarman project, which was developed in order to reeducate Aboriginal and other Australians whose lives were being destroyed by alcohol. The Sugarman concept was created by Craig San Roque and Andrew Spencer Japaljarri. It uses public performance of a new 'dreamtime' story to demonstrate the consequences of alcohol abuse and to encourage people to take responsibility for its effect on their personal lives, their families, and their communities. The documentary was filmed at Injartnama, in Central Australia, where the 1999 performance of Sugarman took place.
'Attention has been caught by the mythic performance events that I have helped facilitate and perform over the past 30 years. This is a brief history and rationale for the making of such events.' (Introduction)
I' first met Craig San Roque at a gathering in 1996 on a property called Glastonbell in the Blue Mountains outside of Sydney. Glastonbell had been set up a decade earlier as an eco-spiritual retreat by an eclectic, much loved mystic and devotee of deep ecology, Philip Simpfendorfer. The 1996 event was the first in a series of Sense of Place colloquia organized by John Cameron of the legendary Social Ecology program at UWS. Although most of the participants were academics, John's plan was to depart as far as possible from standard academic protocols and draw participants into a deep shared experience of place. Glastonbell was a rocky wonderland of cliffs, caverns, winding paths and hidden nooks, all with Middle Earth-type names like Dargan's Garden, The Cathedral, Valley of Continents and The Portals. Over a period of 3 - 4 days, our group met at various of these chthonic sites to discuss the conference papers which had been circulated prior to our meeting.' (Introduction)