'My story cannot be painted onto a canvas - it is skin painting.
Brave, haunting and evocative, this powerful volume is poetry as memoir. From her early experiences in an institution and the effect of this on her family to the illustration of her strength as an adult, Elizabeth Hodgson helps make a slice of Aboriginal experience accessible and resonant. Skin Painting explores themes of art, identity, sexuality and loneliness. It is both universal and intimated, honest and important.'
Source: Publisher's blurb
St Lucia : University of Queensland Press , 2008 pg. 13'The quality of Australian poetry has never been higher, nor the number of distinctive voices greater. A landmark publication, this collection presents the astonishing achievements of Australian poetry during the last quarter of a century. Over ten years in preparation, gathering over 200 poets and 500 poems, it makes the case for this country's poetry as a broadening of the universal set for all English-speakers. 'Somewhat astonishingly,' the introduction notes, 'and while no-one was looking, Australian poetry has developed a momentum and a critical mass such that it has become one more luminous field in the English-speaking imagination. Increasingly, anyone who seeks to explore the perspectives or music available in English will also have to consider the perspectives and music which have originated here - Australia having turned itself, too, into a place in the mind.' Both survey and critical review, this anthology offers a rare opportunity to explore the major national achievement of contemporary Australian poetry. (Publication summary)'
Glebe : Puncher and Wattmann , 2016