'The Vintage and the Gleaning is set in a winemaking town in the north-east of Victoria, close to the Murray River. Smithy is a retired shearer turned vineyard worker who has recently been forced to give up drinking after a lifetime of alcoholism. In his new sobriety he is contemplating the world in which he lives and the man he has been and become with a new understanding. Assaulted by long forgotten memories, Smithy is forced to take stock of his own past.
'Overwhelmed with feelings of regret, guilt, loss and nostalgia for the past, Smithy is trapped in a blind search for meaning as he realises that he cannot undo the repercussions of his wasted life. He is a desperate and lonely old man seeking beauty in an ugly world.
'Living in the same town is Charlotte, a young woman in a dangerous relationship, whose misfortunes have led her into an uneasy friendship with Smithy. It is in his confused and ultimately futile attempts to help Charlotte that he seeks redemption.' (From the publisher's website.)
‘In human reckoning, Golden Ages are always already in the past. The Greek poet Hesiod, in Works and Days, posited Five Ages of Mankind: Golden, Silver, Bronze, Heroic and Iron (Ovid made do with four). Writing in the Romantic period, Thomas Love Peacock (author of such now almost forgotten novels as Nightmare Abbey, 1818) defined The Four Ages of Poetry (1820) in which their order was Iron, Gold, Silver and Bronze. To the Golden Age, in their archaic greatness, belonged Homer and Aeschylus. The Silver Age, following it, was less original, but nevertheless 'the age of civilised life'. The main issue of Peacock's thesis was the famous response that he elicited from his friend Shelley - Defence of Poetry (1821).’ (Publication abstract)
‘In human reckoning, Golden Ages are always already in the past. The Greek poet Hesiod, in Works and Days, posited Five Ages of Mankind: Golden, Silver, Bronze, Heroic and Iron (Ovid made do with four). Writing in the Romantic period, Thomas Love Peacock (author of such now almost forgotten novels as Nightmare Abbey, 1818) defined The Four Ages of Poetry (1820) in which their order was Iron, Gold, Silver and Bronze. To the Golden Age, in their archaic greatness, belonged Homer and Aeschylus. The Silver Age, following it, was less original, but nevertheless 'the age of civilised life'. The main issue of Peacock's thesis was the famous response that he elicited from his friend Shelley - Defence of Poetry (1821).’ (Publication abstract)
