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y separately published work icon Terrifying Stories selected work   short story   horror   thriller   mystery  
Issue Details: First known date: 1963... 1963 Terrifying Stories
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Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Sydney, New South Wales,: Horwitz , 1963 .
      person or book cover
      Alternative title: Terrifying Tales
      Extent: 130p.
      Series: Pocket Books [First Series] PB; MN Horwitz (publisher), 1959 series - publisher novel The first nine books in this series were given the prefix 'MN' ('Miscellaneous Novels'), with the prefix 'PB' ('Pocket Books') used for the remainder of the series. (Flanagan, The Australian Vintage Paperback Guide, 1994, p. 24) Number in series: 129
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Works about this Work

The Australian Horror Novel Since 1950 James Doig , 2012 single work criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 112-127) According to James Doig the horror genre 'was overlooked by the popular circulating libraries in Australia.' In this chapter he observes that this 'marginalization of horror reflects both the trepidation felt by the conservative library system towards 'penny dreadfuls,' and the fact that horror had limited popular appeal with the British (and Australian) reading public.' Doig concludes that there is 'no Australian author of horror novels with the same commercial cachet' as authors of fantasy or science fiction. He proposes that if Australian horror fiction wants to compete successfully 'in the long-term it needs to develop a flourishing and vibrant small press contingent prepared to nurture new talent' like the USA and UK small presses.' (Editor's foreword xii)
The Australian Horror Novel Since 1950 James Doig , 2012 single work criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 112-127) According to James Doig the horror genre 'was overlooked by the popular circulating libraries in Australia.' In this chapter he observes that this 'marginalization of horror reflects both the trepidation felt by the conservative library system towards 'penny dreadfuls,' and the fact that horror had limited popular appeal with the British (and Australian) reading public.' Doig concludes that there is 'no Australian author of horror novels with the same commercial cachet' as authors of fantasy or science fiction. He proposes that if Australian horror fiction wants to compete successfully 'in the long-term it needs to develop a flourishing and vibrant small press contingent prepared to nurture new talent' like the USA and UK small presses.' (Editor's foreword xii)
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Last amended 21 Jan 2011 10:01:53
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