'Since the recent transference of Sydney ‘Glitter‘ cycle film from screen to stage (Muriel’s Wedding, Strictly Ballroom), revisiting the critique of the ‘dumb semiotics’ of Australian cinema (1) in Philip Brophy’s Priscilla, Queen of the Desert can widen our sense of how the Australian Dream road-movie is travelling.' (Introduction)
'Since the recent transference of Sydney ‘Glitter‘ cycle film from screen to stage (Muriel’s Wedding, Strictly Ballroom), revisiting the critique of the ‘dumb semiotics’ of Australian cinema (1) in Philip Brophy’s Priscilla, Queen of the Desert can widen our sense of how the Australian Dream road-movie is travelling.' (Introduction)
