'Adhering to the demands of integrity and having research attitudes rooted in moral sensibilities are of paramount importance for academics, researchers, and writers. Publishing etiquette requires them to invest adequate time and energy in conducting research and writing manuscripts and thus to produce beneficial knowledge. Putting together a document hastily and avoiding the much-needed effort in research and writing lead to negative outcomes. The corrupt practice of plagiarism and the desire for recognition through fraudulent and duplicitous publications are marked by deliberate deceptiveness. It debases the plagiarists, stagnates their intellectual growth, and vitiates the academic environment. Highlighting this observation, in this essay I shall discuss some dimensions and significance of publishing etiquette. I shall argue that attitudes and behaviours of researchers and academic practitioners determine the quality of the words and works that they produce.' (Publication summary)
'Unlike in the case of verbal communication, prior to submitting a written work for publication authors have the opportunity to edit and revise it multiple times. They can revisit it again and again in order to enhance its content and polish its language. Once they submit their ‘final’ draft to a journal, editors and reviewers evaluate and assess its merit and suitability. If a manuscript is accepted, they help further revise, refine, and make it ready for production. In addition to this editorial concern for the quality of research, in this essay I shall explore the questions of authorship, authorship fraud, and other related concerns. The discussion here is primarily driven to stress the importance of maintaining ethical standards in publishing, especially those related to authorship credit.' (Publication summary)
'Theatre in Asia is a bafflingly complex and diverse art, reflecting the enormous diversity of the continent itself. It is difficult to speak of an “Asian” theatre as a unified or even vaguely homogenous form, and the articles in this issue speak to that diversity and complexity. Covering theatrical forms mainly from India and Southeast Asia, these articles cover a variety of subjects from traditional texts and performances to contemporary, hybrid forms, to the influence of the global economy.' (Editorial introduction)