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* Contents derived from the Sydney,New South Wales,:William Maddock,1885 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Notes:
Dedication: As a young Australian, I dedicate this small volume of poems to my fellow-countrymen of Australasia, less, perhaps for its own sake, than as an earnest of future effort.
Station Hunting at the Warrego and other Poems1885single work review — Appears in:
The Sydney Mail,26 Septembervol.
40no.
13161885;(p. 663) — Review of
Station Hunting on the Warrego, Australia : At the Valley of the Popran and Other PoemsPhilip J. Holdsworth,
1885selected work poetry 'We suppose it is almost a canon of Australian literary criticism to give as hospitable entertainment as possible to native work; and yet one is inclined to doubt the existence of any such principle, from the way Mr Phillip J. Holdsworth's little volume of verse has been received in certain quarters. It is true that on the whole the book has been welcomed in a kindly enough spirit by the Australian press, but more than one of Holdsworth's critics, before proceeding to notice his book, seem to have asked themselves the question, "What good can come out of Nazareth?" - i.e. Australia - and then bared the scalpel. But these exponents fo the ungentle science have shown as little insight as sympathy. It is the barest literary justice to appreciate a poet by his best, and not by his worst; indeed, there is no reason why the worst should not be left out of the count altogether...'
Station Hunting at the Warrego and other Poems1885single work review — Appears in:
The Sydney Mail,26 Septembervol.
40no.
13161885;(p. 663) — Review of
Station Hunting on the Warrego, Australia : At the Valley of the Popran and Other PoemsPhilip J. Holdsworth,
1885selected work poetry 'We suppose it is almost a canon of Australian literary criticism to give as hospitable entertainment as possible to native work; and yet one is inclined to doubt the existence of any such principle, from the way Mr Phillip J. Holdsworth's little volume of verse has been received in certain quarters. It is true that on the whole the book has been welcomed in a kindly enough spirit by the Australian press, but more than one of Holdsworth's critics, before proceeding to notice his book, seem to have asked themselves the question, "What good can come out of Nazareth?" - i.e. Australia - and then bared the scalpel. But these exponents fo the ungentle science have shown as little insight as sympathy. It is the barest literary justice to appreciate a poet by his best, and not by his worst; indeed, there is no reason why the worst should not be left out of the count altogether...'