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* Contents derived from the Perth,Western Australia,:University of Western Australia. Centre for Studies in Australian Literature,1985 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Zwicky investigates the advantages and disadvantages of exile for the creative process. Comparing Maurice Guest with Hardy's Jude, The Obscure, Zwicky examines their modern form and content, concluding that Richardson was unable to assert a distinct voice because she was an exile by temperament. Hardy's poetic voice can express "alienation and metaphysical isolation simultaneously" because "its identity [is] assured by history and a firm sense of its origins". Zwicky concludes that Richardson "repressed the lyricism that might have flowered in musical composition" but acknowledges that it surfaces in "arresting bursts" in Maurice Guest through Richardson's depiction of Louise.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Notes:
A festschrift for Helen Watson-Williams, English academic at UWA from 1950-1977. Includes a brief introduction by the editors and a biographical note on Helen Watson-Williams. Also contains a number of poems in translation by Theophile Gautier, and three other articles that are not relevant to Australian literature.
