The Tao of John single work   poetry   "In order to be strong"
Issue Details: First known date: 2006... 2006 The Tao of John
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Notes

  • Dedication: for David Hicks

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon The Age 9 December 2006 Z1339825 2006 newspaper issue 2006 pg. 56 Section: A2
  • Appears in:
    y separately published work icon The Sydney Morning Herald 9-10 December 2006 Z1340059 2006 newspaper issue 2006 pg. 42

Works about this Work

Poetry and Public Speech : Three Traces David McCooey , 2009 single work criticism
— Appears in: JASAL , no. 9 2009;

'Poetry is routinely seen as 'marginal' to public culture, especially in terms of it having lost its status as a form of public speech. Such a condition is often noted in nostalgic terms, in which a golden era - bardic or journalistic - is evoked to illustrate contemporary poetry's lack. But traces of poetry's instrumentality, especially as a form of public speech, can be found in various extra-poetic contexts.

'In this article, three examples of poetry operating in 'extra-poetic contexts' will illustrate the different, sometimes troubling, ways in which traces of poetry as a mode of public speech can be observed in contemporary culture: the poem-cartoons of Michael Leunig; the role of the poet Les Murray in the drafting of a proposed preamble to the Constitution of Australia; and the quotation of William Ernest Henley's 'Invictus' as the final statement of Timothy McVeigh (the 'Ohio Bomber') prior to his execution. These examples illustrate that poetry-as-public-speech engages with political discourse in diverse, incommensurate ways.

'Leunig's occasional cartoon-poems, appearing in the metropolitan press, are examples of poetry at its most public and politically engaged state. And yet, even Leunig's most 'political' work gestures towards a realm beyond politics, where the poetic, the comic, and the existential coexist as a way of making life in the political realm more bearable. Les Murray's role as a 'national' poet in the failed attempt to introduce a preamble to the Australian Constitution illustrates the vestigial role that poets can play in nation building. Lastly, McVeigh's quotation of Henley, made without any explanation, shows the unpredictable and potentially volatile condition of poetry-as-public-speech.

'In addition, the examples variously engage in arguments about the relationship between the individual and the state, private identity and national history.' (Author's abstract)

Poetry and Public Speech : Three Traces David McCooey , 2009 single work criticism
— Appears in: JASAL , no. 9 2009;

'Poetry is routinely seen as 'marginal' to public culture, especially in terms of it having lost its status as a form of public speech. Such a condition is often noted in nostalgic terms, in which a golden era - bardic or journalistic - is evoked to illustrate contemporary poetry's lack. But traces of poetry's instrumentality, especially as a form of public speech, can be found in various extra-poetic contexts.

'In this article, three examples of poetry operating in 'extra-poetic contexts' will illustrate the different, sometimes troubling, ways in which traces of poetry as a mode of public speech can be observed in contemporary culture: the poem-cartoons of Michael Leunig; the role of the poet Les Murray in the drafting of a proposed preamble to the Constitution of Australia; and the quotation of William Ernest Henley's 'Invictus' as the final statement of Timothy McVeigh (the 'Ohio Bomber') prior to his execution. These examples illustrate that poetry-as-public-speech engages with political discourse in diverse, incommensurate ways.

'Leunig's occasional cartoon-poems, appearing in the metropolitan press, are examples of poetry at its most public and politically engaged state. And yet, even Leunig's most 'political' work gestures towards a realm beyond politics, where the poetic, the comic, and the existential coexist as a way of making life in the political realm more bearable. Les Murray's role as a 'national' poet in the failed attempt to introduce a preamble to the Australian Constitution illustrates the vestigial role that poets can play in nation building. Lastly, McVeigh's quotation of Henley, made without any explanation, shows the unpredictable and potentially volatile condition of poetry-as-public-speech.

'In addition, the examples variously engage in arguments about the relationship between the individual and the state, private identity and national history.' (Author's abstract)

Last amended 11 Dec 2006 14:58:38
Newspapers:
    Powered by Trove
    X