The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.
All Publication Details
-
-
Appears in:
-
y
Commonwealth
Heritage;
Commonwealth : Essays and Studies
vol.
27
no.
1
Autumn
2004
Z1217220
2004
periodical issue
2004
pg.
63-75
-
y
-
-
-
Appears in:
-
y
Dickens Adapted
John Glavin
(editor),
Farnham
:
Ashgate
,
2012
Z1903348
2012
anthology
criticism
From their first appearance in print, Dickens's fictions immediately migrated into other media, and particularly, in his own time, to the stage. Since then Dickens has continuously, apparently inexhaustibly, functioned as the wellspring for a robust mini-industry, sourcing plays, films, television specials and series, operas, new novels and even miniature and model villages. If in his lifetime he was justly called 'The Inimitable', since his death he has become just the reverse: the Infinitely Imitable. The essays in this volume, all appearing within the past twenty years, cover the full spectrum of genres. Their major shared claim to attention is their break from earlier mimetic criteria - does the film follow the novel? - to take the new works seriously within their own generic and historical contexts. Collectively, they reveal an entirely 'other' Dickensian oeuvre, which ironically has perhaps made Dickens better known to an audience of non-readers than to those who know the books themselves.
Farnham
:
Ashgate
,
2012
pg.
447-459
-
y
-
Subjects:
- Jack Maggs 1997 single work novel
-
cUnited Kingdom (UK),cWestern Europe, Europe,
-
cAustralia,c
Export this record
