y separately published work icon Southerly periodical issue   peer reviewed assertion
Alternative title: Performance
Issue Details: First known date: 2004... vol. 64 no. 3 2004 of Southerly est. 1939 Southerly
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Contents

* Contents derived from the , 2004 version. Please note that other versions/publications may contain different contents. See the Publication Details.
The Weathermeni"The weathermen are gathering", John Foulcher , single work poetry (p. 6)
Ten Good Reasons to Stay at Homei"There is nothing", John Foulcher , single work poetry (p. 6-8)
The Suiti"In my dream, my mother invites me for dinner. It's not her", John Foulcher , single work poetry (p. 8-9)
The Red Planeti"My son, who's twenty now, rushes", John Foulcher , single work poetry (p. 9)
From The Varens Obsession (from The Golden Courtesan, a work-in-progress), Shady Cosgrove , extract novel (p. 10-14)
Negotiating Cultural Narratives : All-Aboriginal Shakespearean Dreaming, Emma Cox , single work essay
An analysis of the reviews and critical commentary on the 1997 Sydney Theatre Company production of Shakespeare's A Midsummer Night's Dream. Performed as part of the Festival of the Dreaming in 1997, the play 'juxtaposed an Elizabethan-style Athenian court with a Dreamtime forest world, thereby creating a dialogue between the play's original performative context and a more recent Aboriginal interpretive framework.' (p.15) The play was directed by Noel Tovey.
 (p. 15-27)
A Last One for Brucei"Dear friend, the processes of decay might have their way", Thomas Shapcott , single work poetry (p. 28-29)
Nuances of a Theme by Randall Jarrelli"As it turned out, the pictures", John Miles , single work poetry (p. 30-31)
Lecturei"empty lecture theatre door ajar, a neon light on", Ioana Petrescu , single work poetry (p. 54)
Toccata and Fugue with Ricei"I like Bach's Toccata and Fugue in D minor, I tell him, neatly arranging my", Ioana Petrescu , single work poetry (p. 54-55)
Gnomesi"I'm walking on the sand", Ioana Petrescu , single work poetry (p. 56)
Country Drivei"Paddocks roll on past-grey sheep on the distant hills", Lesley Walter , single work poetry (p. 57)
Early Australian High Comedy to 1890: Performing the Colonial Bourgeois Self, Veronica Kelly , single work criticism
'This article traces the Australian fortunes of the formal genre of full-length bourgeois comedy as understood during the period to 1890 ...' (p.59)
 (p. 58-77)
Building Better Bodies, Jen Webb , single work short story (p. 78-82)
From The Apocryphal Life and Impossible Times of Nicholas R. Crunkt (a work-in-progress), Michael Brennan , extract poetry (p. 83-87)
The Book of Tormenti"Already you witnessed a vast company of crows", Jane Gibian , single work poetry (p. 88-89)
In Octoberi"the harsh wind blows particles of red dirt", Jane Gibian , single work poetry (p. 89)
Curtainsi"A small fly enters through the balcony door,", Greg McLaren , single work poetry (p. 90)
Everything Familyi"My grandfather, a shunter at the pits", Greg McLaren , single work poetry (p. 91)
Pickedi"Just minding her own day when the door came knocking:", Aileen Kelly , single work poetry (p. 92)
X