'Tasmania is often spoken of domestically as a “problem”. Indeed, talk of “the problem of Tasmania” circulates through intellectual and governmental as much as everyday discourse. For writers like Peter Conrad and Tim Bowden – expatriate Tasmanians who write of their “return” to the island – the discourse on the problem of Tasmania is particularly challenging. As returnees, the narrators of Conrad’s Down Home (1988) and Bowden’s The Devil in Tim (2005) engage in reflections on identity, alterity and history in ways that exploit and resist the stereotypes, tropes and narratives that have traditionally underpinned discussion of the Tasmanian problem. This essay argues that while the texts can be read as complicit with the ideology that sustains the idea of that problem, in their turn to encounters with “ordinary” Tasmania they present alternative visions of the state that question the ideologies that position the island as limited, backward and perpetually beset by intransigent challenges.'
Source: Abstract.
'Tasmania is often spoken of domestically as a “problem”. Indeed, talk of “the problem of Tasmania” circulates through intellectual and governmental as much as everyday discourse. For writers like Peter Conrad and Tim Bowden – expatriate Tasmanians who write of their “return” to the island – the discourse on the problem of Tasmania is particularly challenging. As returnees, the narrators of Conrad’s Down Home (1988) and Bowden’s The Devil in Tim (2005) engage in reflections on identity, alterity and history in ways that exploit and resist the stereotypes, tropes and narratives that have traditionally underpinned discussion of the Tasmanian problem. This essay argues that while the texts can be read as complicit with the ideology that sustains the idea of that problem, in their turn to encounters with “ordinary” Tasmania they present alternative visions of the state that question the ideologies that position the island as limited, backward and perpetually beset by intransigent challenges.'
Source: Abstract.
