y separately published work icon Dirty Weekend single work   novel   crime  
Is part of Jack McCain Gabrielle Lord , 2001 series - author novel
Issue Details: First known date: 2005... 2005 Dirty Weekend
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Notes

  • Dedication: To Ettie.
  • Book three of the Jack McCain series.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

Issues of Class and Gender in Australian Crime Fiction : From the 1950s to Today Rachel Franks , 2012 single work criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 96-111)
In this chapter, Rachel Franks notes ‘‘Australian crime fiction writers imported many types of crime fiction from Britain, including the gothic mystery and the Newgate novel, and from America, including the locked room mystery and the spy story.’ She observes how Australian crime fiction has changed along with the ‘societies that produce it.’ She concludes that for Australian crime fiction to be attractive to mass market and an assured popularity, Australian crime fiction writers must respond ‘to the changing demands of their readers,’ and ‘continue to develop the genre with increasingly sophisticated stories about murderers and those who bring them to justice.’ (Editor’s foreword xii)
The Necessary Discovery of Submerged Identity : Gabrielle Lord's Bones J. S. Ryan , 2008 single work criticism
— Appears in: Tales from New England 2008; (p. 245-270)
An Unwilling Queen of Crime Chris Broadribb , 2006 single work review
— Appears in: Australian Women's Book Review , vol. 18 no. 1 2006;

— Review of Dirty Weekend Gabrielle Lord , 2005 single work novel
Crime File Graeme Blundell , 2005 single work review
— Appears in: The Weekend Australian , 17-18 December 2005; (p. 14-15)

— Review of Dirty Weekend Gabrielle Lord , 2005 single work novel ; Innocent Murder Steve J. Spears , 2005 single work novel ; Rubdown Leigh Redhead , 2005 single work novel ; On, Off Colleen McCullough , 2005 single work novel
Murder She Wrote Sue Turnbull , 2005 single work review
— Appears in: The Sunday Age , 18 December 2005; (p. 15)

— Review of Dirty Weekend Gabrielle Lord , 2005 single work novel
Great Twists of Forensic Persuasion Jeff Popple , 2005 single work review
— Appears in: The Canberra Times , 8 October 2005; (p. 13)

— Review of Dirty Weekend Gabrielle Lord , 2005 single work novel
Thrilled to Bits - Literally Katharine England , 2005 single work review
— Appears in: The Advertiser , 29 October 2005; (p. 10)

— Review of Snapshot Garry Disher , 2005 single work novel ; Rubdown Leigh Redhead , 2005 single work novel ; Dirty Weekend Gabrielle Lord , 2005 single work novel
Books Robin Wallace-Crabbe , 2005 single work review
— Appears in: The Bulletin , 6 December vol. 123 no. 6499 2005; (p. 69)

— Review of Dirty Weekend Gabrielle Lord , 2005 single work novel
Cool Crime Rick Thompson , 2005-2006 single work review
— Appears in: Australian Book Review , December-January no. 277 2005-2006; (p. 61-62)

— Review of Snapshot Garry Disher , 2005 single work novel ; A Thing of Blood Robert Gott , 2005 single work novel ; Dirty Weekend Gabrielle Lord , 2005 single work novel
Murder She Wrote Sue Turnbull , 2005 single work review
— Appears in: The Sunday Age , 18 December 2005; (p. 15)

— Review of Dirty Weekend Gabrielle Lord , 2005 single work novel
The Necessary Discovery of Submerged Identity : Gabrielle Lord's Bones J. S. Ryan , 2008 single work criticism
— Appears in: Tales from New England 2008; (p. 245-270)
Issues of Class and Gender in Australian Crime Fiction : From the 1950s to Today Rachel Franks , 2012 single work criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 96-111)
In this chapter, Rachel Franks notes ‘‘Australian crime fiction writers imported many types of crime fiction from Britain, including the gothic mystery and the Newgate novel, and from America, including the locked room mystery and the spy story.’ She observes how Australian crime fiction has changed along with the ‘societies that produce it.’ She concludes that for Australian crime fiction to be attractive to mass market and an assured popularity, Australian crime fiction writers must respond ‘to the changing demands of their readers,’ and ‘continue to develop the genre with increasingly sophisticated stories about murderers and those who bring them to justice.’ (Editor’s foreword xii)
Last amended 7 Mar 2006 09:48:02
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