Issue Details: First known date: 2004... 2004 'The First White Man Born' : Miscegenation and Identity in Kim Scott's Benang
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

Archival Poetics : Writing History from the Fragments Camilla Nelson , 2015 single work criticism
— Appears in: TEXT Special Issue Website Series , April no. 28 2015;
'This paper examines ‘archival poetics’ in contemporary history and fiction writing, with a focus on Mark McKenna’s An eye for eternity: The life of Manning Clark, Megan Marshall’s Margaret Fuller: A new American life and Kim Scott’s Benang, from the heart. It investigates the ways in which the authors of these works move away from the forensic imaginary embodied in a certain kind of historiography’s approach to the archive, to create a more personal, powerful and situated kind of history writing. It argues that these works suggest that history is less about the sublime chaos of the past – which cannot be narrated without duplicity, damage or violence – than how we engage the past, which is, on reflection, an entirely different thing.' (Publication summary)
Archival Poetics : Writing History from the Fragments Camilla Nelson , 2015 single work criticism
— Appears in: TEXT Special Issue Website Series , April no. 28 2015;
'This paper examines ‘archival poetics’ in contemporary history and fiction writing, with a focus on Mark McKenna’s An eye for eternity: The life of Manning Clark, Megan Marshall’s Margaret Fuller: A new American life and Kim Scott’s Benang, from the heart. It investigates the ways in which the authors of these works move away from the forensic imaginary embodied in a certain kind of historiography’s approach to the archive, to create a more personal, powerful and situated kind of history writing. It argues that these works suggest that history is less about the sublime chaos of the past – which cannot be narrated without duplicity, damage or violence – than how we engage the past, which is, on reflection, an entirely different thing.' (Publication summary)
Last amended 21 Sep 2020 07:56:21
137-157 'The First White Man Born' : Miscegenation and Identity in Kim Scott's Benangsmall AustLit logo
Newspapers:
    Powered by Trove
    X