y separately published work icon Walking to Point Clear : Poems 1983-2002 selected work   poetry  
Issue Details: First known date: 2005... 2005 Walking to Point Clear : Poems 1983-2002
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Contents

* Contents derived from the Blackheath, Blue Mountains, Sydney, New South Wales,:Brandl and Schlesinger , 2005 version. Please note that other versions/publications may contain different contents. See the Publication Details.
The Barn Owli"In late summer", David Brooks , single work poetry (p. 9-10)
Dinner at Midnighti"Dinner at midnight,", David Brooks , single work poetry (p. 11)
The Pines, Cottesloei"Firetails", David Brooks , single work poetry (p. 12-13)
One Hundred Nightsi"At the foot of the bed", David Brooks , single work poetry (p. 14-15)
Eschatologyi"Mind", David Brooks , single work poetry (p. 16-17)
Note: Dedication: for Richard Exner
Earthi"Who is", David Brooks , single work poetry (p. 18)
The Houri"the sleepless hour", David Brooks , single work poetry (p. 19-20)
Valparaisoi"I lay you down", David Brooks , single work poetry (p. 21)
Drought Breaks Above the Molonglo River, 8.viii.83i"We sit under the tin roof", David Brooks , single work poetry (p. 22)
Lemonsi"Lemons", David Brooks , single work poetry (p. 23-24)
Mosquitoesi"After sunset", David Brooks , single work poetry (p. 25)
A Possible Origin and History of Consciousnessi"Jessica, riding", David Brooks , single work poetry (p. 26)
Brown Pigeoni"A bird", David Brooks , single work poetry (p. 27)
Possumi"night", David Brooks , single work poetry (p. 28)
Revenancei"Luminous dusk", David Brooks , single work poetry (p. 29)
Octoberi"Rats", David Brooks , single work poetry (p. 30)
Waking, Lumeah Streeti"4am", David Brooks , single work poetry (p. 31)
The Sawmilli"At the sawmill", David Brooks , single work poetry (p. 32)
Australia Day, Depot Beachi"In the last sunlight", David Brooks , single work poetry (p. 33-34)
Note: With title: Australia Day
Night Passagei"Pre-dawn, the birds", David Brooks , single work poetry (p. 35)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Notes:
Dedication: For the Brissendens and for Craig and Janet Powell.

Works about this Work

The 'I' of My Poems : The Poet and the Poetic Self in David Brooks' Poetry Phillip A Ellis , 2010 single work criticism
— Appears in: Explorations In Australian Poetry 2010; (p. 101-112)
'Phillip A. Ellis' essay 'studies how David Brooks has developed the use of a poetic self in his poetry. It sees some of its strategies that the poet uses with the poetic 'I', and also sees how the poetic 'I' becomes constructed as part of a universalised self, arising out of the details of the poet so that we understand more about that difference between the poet and the poetic 'I' than taking it as a self-evident, and unreflected truism.' (ix-x)
The Trees at Point Clear James Stuart , 2006 single work review
— Appears in: Jacket , October no. 31 2006;

— Review of Walking to Point Clear : Poems 1983-2002 David Brooks , 2005 selected work poetry
Four Recent Collections of Poetry: Language and Communication Michael Brennan , 2006 single work review
— Appears in: Southerly , vol. 66 no. 1 2006; (p. 158-170)

— Review of Walking to Point Clear : Poems 1983-2002 David Brooks , 2005 selected work poetry ; War is Not the Season for Figs Lidija Cvetkovic , 2001 selected work poetry ; A Fluke : A Mistranslation of Stephane Mallarme's 'Un Coup de Des' Stephane Mallarme , Chris Edwards (translator), 2005 selected work poetry ; Smoke Encrypted Whispers Samuel Wagan Watson , 2004 selected work poetry
Untitled Kristen Lang , 2006 single work review
— Appears in: Southerly , vol. 66 no. 1 2006; (p. 185-189)

— Review of Walking to Point Clear : Poems 1983-2002 David Brooks , 2005 selected work poetry
Untitled Kevin Gillam , 2006 single work review
— Appears in: Five Bells , Summer vol. 13 no. 1 2006; (p. 46-48)

— Review of Walking to Point Clear : Poems 1983-2002 David Brooks , 2005 selected work poetry
Love, Emptiness David Gilbey , 2005 single work review
— Appears in: Australian Book Review , August no. 273 2005; (p. 48)

— Review of Walking to Point Clear : Poems 1983-2002 David Brooks , 2005 selected work poetry
No Babbling in Brooks's Verse Geoff Page , 2005 single work review
— Appears in: The Canberra Times , 27 August 2005; (p. 16)

— Review of Walking to Point Clear : Poems 1983-2002 David Brooks , 2005 selected work poetry
Untitled Kevin Gillam , 2006 single work review
— Appears in: Five Bells , Summer vol. 13 no. 1 2006; (p. 46-48)

— Review of Walking to Point Clear : Poems 1983-2002 David Brooks , 2005 selected work poetry
Untitled Kristen Lang , 2006 single work review
— Appears in: Southerly , vol. 66 no. 1 2006; (p. 185-189)

— Review of Walking to Point Clear : Poems 1983-2002 David Brooks , 2005 selected work poetry
Four Recent Collections of Poetry: Language and Communication Michael Brennan , 2006 single work review
— Appears in: Southerly , vol. 66 no. 1 2006; (p. 158-170)

— Review of Walking to Point Clear : Poems 1983-2002 David Brooks , 2005 selected work poetry ; War is Not the Season for Figs Lidija Cvetkovic , 2001 selected work poetry ; A Fluke : A Mistranslation of Stephane Mallarme's 'Un Coup de Des' Stephane Mallarme , Chris Edwards (translator), 2005 selected work poetry ; Smoke Encrypted Whispers Samuel Wagan Watson , 2004 selected work poetry
Place and Identity in New Australian Poetry S. C. Harrex , 2005 single work review criticism
— Appears in: Westerly , November vol. 50 no. 2005; (p. 96-111)
Contends that the map of Australian verse has been progressively configured since 1975, and that this is evident in poems published during the the year 2004 - 2005.
The 'I' of My Poems : The Poet and the Poetic Self in David Brooks' Poetry Phillip A Ellis , 2010 single work criticism
— Appears in: Explorations In Australian Poetry 2010; (p. 101-112)
'Phillip A. Ellis' essay 'studies how David Brooks has developed the use of a poetic self in his poetry. It sees some of its strategies that the poet uses with the poetic 'I', and also sees how the poetic 'I' becomes constructed as part of a universalised self, arising out of the details of the poet so that we understand more about that difference between the poet and the poetic 'I' than taking it as a self-evident, and unreflected truism.' (ix-x)
Last amended 13 Feb 2006 14:09:27
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