Parrish Plessis series - author   novel   science fiction  
Issue Details: First known date: 2004-... 2004- Parrish Plessis
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Includes

1
y separately published work icon Nylon Angel : The First Parrish Plessis Novel Marianne de Pierres , London : Orbit , 2004 Z1098519 2004 single work novel science fiction 'Nylon Angel introduces a startling new femme fatale and all-around bad girl. While trying to send her sadistic boss to death row, she finds herself sheltering a suspect in the murder of newsgirl Razz Retribution. In a world run by the media, the truth isn't relevant - it's bad for ratings. Which is why Parrish finds herself tagged for the murder - and up to her tricked-out leather tank top in trouble.' (Source: LibrariesAustralia)
2
y separately published work icon Code Noir : A Parrish Plessis Novel Marianne de Pierres , London : Orbit , 2004 Z1142385 2004 single work novel science fiction 'After the Tert war, bodyguard Parrish Plessis must pay off a blood debt to the Cabal Coomera tribe by entering a realm of tekno-darkness to find their missing shamans and to assassinate an ex-lover who had infected her with a high-tech parasite.' (Source: LibrariesAustralia)
3
y separately published work icon Crash Deluxe : A Parrish Plessis Novel Marianne de Pierres , London : Orbit , 2005 Z1374858 2005 single work novel science fiction

'After inheriting a less-than-glorious empire within the Tert, Parrish Plessis–coup leader, bodyguard, and overall dangerous vixen–has her hands full, and her head even fuller. She's still under a blood debt to the Cabal Coomera. She's trying to take care of the growing population of stray social castoffs who have come to her for protection. And the nasty high-tech parasite her treacherous ex-lover hit her with is about to turn her into something much less than human...'

Source: Publisher's blurb.

Publication Details of Only Known VersionEarliest 2 Known Versions of

First known date: 2004-
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Works about this Work

The End of the Human : Apocalypse, Cyberpunk, and the Parrish Plessis Novels Roslyn Weaver , 2011 single work criticism
— Appears in: Apocalypse in Australian Fiction and Film : A Critical Study 2011; (p. 159-185) This discussion 'offers a brief summary of cyberpunk globally and in Australia and then, within the framework of Australian apocalypse outlined so far in this book, examines Marianne de Pierres's Parrish Plessis novels to determine one approach to the sense of location and apocalypse in Australian cyber narratives. De Pierres sets her novels in a future Australia but describes a mixed cultural and linguistic environment that appears to constitute a generic global space. Yet her representation of the hostile and harsh landscape indicates specifically Australian themes. De Pierres's use of eschatological motifs as well as the textual anxieties about posthumanism and the end of authenticity also belie cyberpunk's indifference to apocalypse.' (159-160)
Seriatem, Seriatum, Omnia Seriatem. Ian Nichols , 2007 single work criticism
— Appears in: Andromeda Spaceways Inflight Magazine , no. 30 2007; (p. 89-93)
The Odd, Wild Escapade Liz Grzyb (interviewer), 2005 single work interview
— Appears in: TiconderogaOnline , December no. 6 2005;
Practicability Wrapped in Possibility Maxine McArthur , 2005 single work column
— Appears in: Newswrite : The NSW Writers' Centre Magazine , March no. 145 2005; (p. 13,30)
Practicability Wrapped in Possibility Maxine McArthur , 2005 single work column
— Appears in: Newswrite : The NSW Writers' Centre Magazine , March no. 145 2005; (p. 13,30)
Seriatem, Seriatum, Omnia Seriatem. Ian Nichols , 2007 single work criticism
— Appears in: Andromeda Spaceways Inflight Magazine , no. 30 2007; (p. 89-93)
The Odd, Wild Escapade Liz Grzyb (interviewer), 2005 single work interview
— Appears in: TiconderogaOnline , December no. 6 2005;
The End of the Human : Apocalypse, Cyberpunk, and the Parrish Plessis Novels Roslyn Weaver , 2011 single work criticism
— Appears in: Apocalypse in Australian Fiction and Film : A Critical Study 2011; (p. 159-185) This discussion 'offers a brief summary of cyberpunk globally and in Australia and then, within the framework of Australian apocalypse outlined so far in this book, examines Marianne de Pierres's Parrish Plessis novels to determine one approach to the sense of location and apocalypse in Australian cyber narratives. De Pierres sets her novels in a future Australia but describes a mixed cultural and linguistic environment that appears to constitute a generic global space. Yet her representation of the hostile and harsh landscape indicates specifically Australian themes. De Pierres's use of eschatological motifs as well as the textual anxieties about posthumanism and the end of authenticity also belie cyberpunk's indifference to apocalypse.' (159-160)
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Last amended 19 Oct 2004 17:53:43
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