This discussion 'offers a brief summary of cyberpunk globally and in Australia and then, within the framework of Australian apocalypse outlined so far in this book, examines Marianne de Pierres's Parrish Plessis novels to determine one approach to the sense of location and apocalypse in Australian cyber narratives. De Pierres sets her novels in a future Australia but describes a mixed cultural and linguistic environment that appears to constitute a generic global space. Yet her representation of the hostile and harsh landscape indicates specifically Australian themes. De Pierres's use of eschatological motifs as well as the textual anxieties about posthumanism and the end of authenticity also belie cyberpunk's indifference to apocalypse.' (159-160)