y separately published work icon Lethal Factor single work   novel   crime  
Is part of Jack McCain Gabrielle Lord , 2001 series - author novel
Issue Details: First known date: 2003... 2003 Lethal Factor
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Notes

  • Dedication: To Jean and Peter
  • Book two of the Jack McCain series.

Publication Details of Only Known VersionEarliest 2 Known Versions of

VIEW PUBLICATION DETAILS FOR ALL VERSIONS ()

Other Formats

  • Also sound recording.
Find library holdings on Trove

Works about this Work

Issues of Class and Gender in Australian Crime Fiction : From the 1950s to Today Rachel Franks , 2012 single work criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 96-111) In this chapter, Rachel Franks notes ‘‘Australian crime fiction writers imported many types of crime fiction from Britain, including the gothic mystery and the Newgate novel, and from America, including the locked room mystery and the spy story.’ She observes how Australian crime fiction has changed along with the ‘societies that produce it.’ She concludes that for Australian crime fiction to be attractive to mass market and an assured popularity, Australian crime fiction writers must respond ‘to the changing demands of their readers,’ and ‘continue to develop the genre with increasingly sophisticated stories about murderers and those who bring them to justice.’ (Editor’s foreword xii)
The Necessary Discovery of Submerged Identity : Gabrielle Lord's Bones J. S. Ryan , 2008 single work criticism
— Appears in: Tales from New England 2008; (p. 245-270)
Female Crime-Scribes Tackle Woes of Our Age Penny Hueston , 2004 single work review
— Appears in: The Age , 3 January 2004; (p. 12)
— Review of Lethal Factor Gabrielle Lord , 2003 single work novel
Lord Shepherds Us Through Twists and Turns Katharine England , 2003 single work review
— Appears in: The Advertiser , 27 December 2003; (p. 11)
— Review of Lethal Factor Gabrielle Lord , 2003 single work novel
Rings Around the Wrongdoings Ian Hicks , 2003 single work review
— Appears in: The Sydney Morning Herald , 8-9 November 2003; (p. 17)
— Review of Lethal Factor Gabrielle Lord , 2003 single work novel
It's a Fatal Mix Robin Wallace-Crabbe , 2003 single work review
— Appears in: The Bulletin , 7 October vol. 121 no. 6393 2003; (p. 77)
— Review of Lethal Factor Gabrielle Lord , 2003 single work novel
Familial Thrills Simon Caterson , 2003 single work review
— Appears in: Australian Book Review , October no. 255 2003; (p. 45)
— Review of Lethal Factor Gabrielle Lord , 2003 single work novel
Another Demon Processed 2003 single work review
— Appears in: The West Australian , 27 October 2003; (p. 7)
— Review of Lethal Factor Gabrielle Lord , 2003 single work novel
Untitled Roger Hainsworth , 2003 single work review
— Appears in: The Adelaide Review , November no. 242 2003; (p. 24)
— Review of Lethal Factor Gabrielle Lord , 2003 single work novel
Rings Around the Wrongdoings Ian Hicks , 2003 single work review
— Appears in: The Sydney Morning Herald , 8-9 November 2003; (p. 17)
— Review of Lethal Factor Gabrielle Lord , 2003 single work novel
The Necessary Discovery of Submerged Identity : Gabrielle Lord's Bones J. S. Ryan , 2008 single work criticism
— Appears in: Tales from New England 2008; (p. 245-270)
Issues of Class and Gender in Australian Crime Fiction : From the 1950s to Today Rachel Franks , 2012 single work criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 96-111) In this chapter, Rachel Franks notes ‘‘Australian crime fiction writers imported many types of crime fiction from Britain, including the gothic mystery and the Newgate novel, and from America, including the locked room mystery and the spy story.’ She observes how Australian crime fiction has changed along with the ‘societies that produce it.’ She concludes that for Australian crime fiction to be attractive to mass market and an assured popularity, Australian crime fiction writers must respond ‘to the changing demands of their readers,’ and ‘continue to develop the genre with increasingly sophisticated stories about murderers and those who bring them to justice.’ (Editor’s foreword xii)
VIEW ALL WORKS ABOUT (9)

Awards

VIEW ALL AWARDS (2)
Last amended 9 Oct 2014 14:07:35
Subjects:
Settings:
  • Canberra, Australian Capital Territory,
  • Sydney, New South Wales,
Newspapers:
    Powered by Trove
    X