The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.
The author argues "that William Lane's 1892 socialist-realist novel ... is paradigmatically Romantic, and ... is one of those texts that embarrasses a cultural nationalism still convinced of the progressiveness of its agenda ...making visible a much more pervasive relationship between Australian nationalism, its socialist variant and the White Australia Policy." (p.2)
"This article examines the way in which contemporary Australian novelists use various tropes derived from exploration in order to embellish themes of personal search in their fiction. By doing so they have borrowed from the language and myths created by what was essentially an exercise in imperialism, and applied them to the quest by individuals in the settler society to find a permanent spiritual home in the new country." (p.13)
Bickerton examines the nature of historical truth, asking questions such as "what is truth?" and "what constitutes good historical writing?" He asks the reader to consider whether a "verse novel in which the vast majority of individuals and events are not actual or real in any literal sense [can] be regarded as an authentic historical text?" (p.24)
(p. 23-32; notes 152-153)
(In)certitudei"Plutarch's parallel lives are not paralleled by my life",Ioana Petrescu,
single work poetry
(p. 85)
Migrantsi"Twenty kilograms per person, says a voice on the phone",Ioana Petrescu,
single work poetry
(p. 86)
Lucki"Kneel in front of this fountain –",Ioana Petrescu,
single work poetry
(p. 87)