The Lions at Taronga single work   poetry   "The leaves of Tower Bridge are rigged to open"
Issue Details: First known date: 2001... 2001 The Lions at Taronga
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Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Australian Book Review ABR no. 235 October 2001 Z925054 2001 periodical issue 2001 pg. 13
  • Appears in:
    y separately published work icon The Book of My Enemy : Collected Verse, 1958-2003 Clive James , London : Picador , 2003 Z1095394 2003 selected work poetry lyric/song

    'The reputation of Clive James as a poet was slow to form, perhaps because he was too famous as a star journalist and television entertainer. There was also the drawback that his poetry was so entertaining it was hard for many critics to take seriously. But after the notoriety achieved by a single self-satirizing poem, ‘The Book of My Enemy Has Been Remaindered’, one of the most anthologized poems of recent times, James’s poetic output became impossible to ignore, and his 1985 collection Other Passports was greeted with praise for its thematic scope and technical accomplishment, even by critics who still doubted his seriousness. Since then, James has emerged unarguably as one of the most prominent poets of his generation – and The Book of My Enemy (which includes Other Passports) shows why.' (Publication summary)

    London : Picador , 2003
    pg. 80-81
  • Appears in:
    y separately published work icon Opal Sunset : Selected Poems, 1958-2008 Clive James , New York (City) : W. W. Norton , 2008 Z1532441 2008 selected work poetry

    'Opal Sunset gathers together fifty years of Clive James’s poetry, and will undoubtedly enhance his reputation as one of the most versatile and accomplished of contemporary writers. Indeed – as with Other PassportsThe Book of My Enemy and Angels Over Elsinore before it – Opal Sunset proves Clive James to be as well suited to the intense demands of the poetic form as he is to prose.

    'Readers new to his verse will not be surprised to find him a master of the comic set-piece and surreal excursion, while those who are familiar with his previous collections will already be aware of his fluency and apparently effortless style, his technical skill and thematic scope. Ultimately, however, the highest recommendation one can give is that Clive James is, in these poems, unmistakably himself – an assured and dazzling wordsmith.' (Publication summary)

    New York (City) : W. W. Norton , 2008
    pg. 64-65
  • Appears in:
    y separately published work icon Contemporary Australian Poetry Martin Langford (editor), Judith Beveridge (editor), Judy Johnson (editor), David Musgrave (editor), Glebe : Puncher and Wattmann , 2016 10524271 2016 anthology poetry

    'The quality of Australian poetry has never been higher, nor the number of distinctive voices greater. A landmark publication, this collection presents the astonishing achievements of Australian poetry during the last quarter of a century. Over ten years in preparation, gathering over 200 poets and 500 poems, it makes the case for this country's poetry as a broadening of the universal set for all English-speakers. 'Somewhat astonishingly,' the introduction notes, 'and while no-one was looking, Australian poetry has developed a momentum and a critical mass such that it has become one more luminous field in the English-speaking imagination. Increasingly, anyone who seeks to explore the perspectives or music available in English will also have to consider the perspectives and music which have originated here - Australia having turned itself, too, into a place in the mind.' Both survey and critical review, this anthology offers a rare opportunity to explore the major national achievement of contemporary Australian poetry. (Publication summary)'

    Glebe : Puncher and Wattmann , 2016
Last amended 5 Nov 2024 13:08:34
Subjects:
  • London,
    c
    England,
    c
    c
    United Kingdom (UK),
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    Western Europe, Europe,
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