Wiping the Canvas single work   poetry   "As if we started like a gasp in the heart"
  • Author:agent Fay Zwicky http://www.poetrylibrary.edu.au/poets/zwicky-fay
Issue Details: First known date: 1997... 1997 Wiping the Canvas
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

Write into the Unsayable : Apophatic Strategy in Poetic Practice Mags Webster , 2017 single work criticism
— Appears in: Axon : Creative Explorations , December vol. 7 no. 2 2017;

'Poet Alice Notley once remarked, ‘like many writers I feel ambivalent about words, I know they don't work, I know they aren't it’ (Notley 2010: n.pag.). Over centuries, in both East and West, poets, mystics, philosophers, and worshippers have developed a semantics of negation—apophasis—to deal with what lies beyond language, to draw closer to uttering what cannot be said. As part of my PhD research I am experimenting with apophasis as a poetic strategy, exploring representations (in both poetic form and content) of absence through space, silence, and denial. Taking Notley’s statement as a reference point, this paper contemplates, from a practitioner perspective and through examples of my creative work, the idea that every poem is an attempt to write into the unsayable. ' (Publication abstract)

Write into the Unsayable : Apophatic Strategy in Poetic Practice Mags Webster , 2017 single work criticism
— Appears in: Axon : Creative Explorations , December vol. 7 no. 2 2017;

'Poet Alice Notley once remarked, ‘like many writers I feel ambivalent about words, I know they don't work, I know they aren't it’ (Notley 2010: n.pag.). Over centuries, in both East and West, poets, mystics, philosophers, and worshippers have developed a semantics of negation—apophasis—to deal with what lies beyond language, to draw closer to uttering what cannot be said. As part of my PhD research I am experimenting with apophasis as a poetic strategy, exploring representations (in both poetic form and content) of absence through space, silence, and denial. Taking Notley’s statement as a reference point, this paper contemplates, from a practitioner perspective and through examples of my creative work, the idea that every poem is an attempt to write into the unsayable. ' (Publication abstract)

Last amended 10 Apr 2002 16:24:46
Newspapers:
    Powered by Trove
    X