Issue Details: First known date: 2017... 2017 Write into the Unsayable : Apophatic Strategy in Poetic Practice
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'Poet Alice Notley once remarked, ‘like many writers I feel ambivalent about words, I know they don't work, I know they aren't it’ (Notley 2010: n.pag.). Over centuries, in both East and West, poets, mystics, philosophers, and worshippers have developed a semantics of negation—apophasis—to deal with what lies beyond language, to draw closer to uttering what cannot be said. As part of my PhD research I am experimenting with apophasis as a poetic strategy, exploring representations (in both poetic form and content) of absence through space, silence, and denial. Taking Notley’s statement as a reference point, this paper contemplates, from a practitioner perspective and through examples of my creative work, the idea that every poem is an attempt to write into the unsayable. ' (Publication abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Axon : Creative Explorations Contemporary Boundary Crossings and Ways of Speaking Poetically vol. 7 no. 2 December 2017 12853914 2017 periodical issue

    'This issue of Axon is the second to relate directly to Poetry on the Move, the series of festivals run by the International Poetry Studies Institute based within the Centre for Creative and Cultural Research, Faculty of Arts and Design, University of Canberra. The theme of the festival in 2017 was Boundary Crossings, and it was offered – in a slightly expanded version, as a focus for poets and academics to interpret in their own fashion within this issue. Some but not all of the contributions here were presented within the festival; equally, not all festival contributions were shaped for journal publication; there are boundary crossings but divisions and distinctions remain.

    'As festival keynote talk, Glyn Maxwell's moving letter to his mentor, the late Derek Walcott, leads us into a remarkable variety of scenarios in which boundaries are addressed. The boundary of death might be considered an absolute, yet Maxwell manages to speak, poetically (albeit in prose), in such a way that we believe in the communication.' (Paul Munden :  Introduction)

    2017
Last amended 7 Feb 2018 13:33:56
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