This version of the classic fairytale utilises several indigenous themes and topicalities within its narrative. One notable feature, for example, is the unusual presentation of the forces of evil as spiders and mosquitos, who battle the forces of good, represented by butterflies and bats. The narrative also incorporated a performing boxing kangaroo and an electric snake dance. Other special features of the production were, a beautiful tableaux showing the outside of the Chicago Exhibition, and George Gordon's spectacular transformation scene which disclosed 'Beauty's Bower.'
Beauty and the Beast was advertised as being 'constructed on lines calculated to please an audience... of all ages, and although doubtless psychological problems and theories may or may not be expounded in the course of the entertainment likely to satisfy the cravings of those who yearn for higher things, every effort will be made, and no expense spared, to achieve success and to satisfy the public in the fullest degree' (Sydney Morning Herald 23 December 1893, p.2). The libretto was seen by one reviewer as affording 'some dramatic moments... [although it] was too often obscured by the comic scenes, and attention was demanded more for the dazzling mise-en-scene than for anything else' (Sydney Morning Herald 27 December 1893, p.12).
[Source: Australian Variety Theatre Archive]
1893: Lyceum Theatre, Sydney; 26 December 1893 - 3 February 1894
1894: Princess's Theatre, Melbourne; ca. 26 December1894 - 26 January 1895
