Based on various short stories by Paul Jennings, Wormwood follows the happenings in the small town of Wormwood, where the fact that the town's economy is based on the production and sale of worm excrement is not the strangest thing about the place.
Previous television series based on Jennings's short stories were Driven Crazy and Round the Twist.
'A boy always gets the rude finger from the school bully when he walks home from school, and does nothing about it because he doesn't have middle fingers himself. So one day, he eats a lizard's tail, and he ends up growing new fingers. However, it is not long before his fingers become more of an embarrassment than anything else.'
'On the way to a sports game, some boys run over a dog; they try to get the dog replaced before its owners find out. But later they find out the dogs owner keeps throwing stuffed dogs in front of cars, and guilts the man to buy another dog. WORTH $1000'
'A boy gets a job fishing with triplet brothers. He gets a crush on their sister, though the brothers really hate it when anyone kisses her. One day, while fishing, they find a seashell that has an eye in it; whenever the shell opens, the nearest person sees a vision about something that does eventually come true.'
'A sequel to the Unmentionable story Little Squirt. When the water in Sydney becomes contaminated, Weesle is forced to stay with his aunt in the countryside. He dislikes his aunt because she is a health freak, and her son enjoys dobbing on Weesle whenever he does anything slightly wrong.'
'An old man has a watch that runs on his movement whenever he wears it. When he dies, he loses it, and his wife is unable to feel happy. However, their grandson tries to get the watch back and make his grandmother happy.'
'A man tries to buy land from another man. When the man owning the land refuses, the other man steals his car. The man sends his children to look for the car; however, the forest they live near is believed to be haunted by a ghost that can change shape, force people and animals into it, and eat them.'
'A boy goes to the fairground, but has no money, so he offers a job to clean the floor of the house of mirrors. However, all the reflections seem to come to life.'
'A rude and foul mouthed boy gets a toilet seat stuck to his head (and a parrot following him) and insults whoever teases him about it. But when the boy tries to ask for help or when someone offers him help, the parrot forces him to repeat the insults he had said previously.'
'Voracious Children explores food and the way it is used to seduce, to pleasure, and coerce not only the characters within children's literature but also its readers. There are a number of gripping questions concerning the quantity and quality of the food featured in children's fiction that immediately arise: why are feasting fantasies so prevalent, especially in the British classics? What exactly is their appeal to historical and contemporary readers? What do literary food events do to readers? Is food the sex of children's literature? The subject of children eating is compelling but, why is it that stories about children being eaten are not only horrifying but also so incredibly alluring? This book reveals that food in fiction does far, far more that just create verisimilitude or merely address greedy readers' desires. The author argues that the food trope in children's literature actually teaches children how to be human through the imperative to eat "good" food in a "proper" controlled manner. Examining timely topics such as childhood obesity and anorexia, the author demonstrates how children's literature routinely attempts to regulate childhood eating practices and only award subjectivity and agency to those characters who demonstrate "normal" appetites.
'Examining a wide range of children's literature classics from Little Red Riding Hood to The Lion, the Witch and the Wardrobe, this book is an outstanding and unique enquiry into the function of food in children's literature, and it will make a significant contribution to the fields of both children's literature and the growing interdisciplinary domain of food, culture and society.'
Source: Publisher's blurb.
'Voracious Children explores food and the way it is used to seduce, to pleasure, and coerce not only the characters within children's literature but also its readers. There are a number of gripping questions concerning the quantity and quality of the food featured in children's fiction that immediately arise: why are feasting fantasies so prevalent, especially in the British classics? What exactly is their appeal to historical and contemporary readers? What do literary food events do to readers? Is food the sex of children's literature? The subject of children eating is compelling but, why is it that stories about children being eaten are not only horrifying but also so incredibly alluring? This book reveals that food in fiction does far, far more that just create verisimilitude or merely address greedy readers' desires. The author argues that the food trope in children's literature actually teaches children how to be human through the imperative to eat "good" food in a "proper" controlled manner. Examining timely topics such as childhood obesity and anorexia, the author demonstrates how children's literature routinely attempts to regulate childhood eating practices and only award subjectivity and agency to those characters who demonstrate "normal" appetites.
'Examining a wide range of children's literature classics from Little Red Riding Hood to The Lion, the Witch and the Wardrobe, this book is an outstanding and unique enquiry into the function of food in children's literature, and it will make a significant contribution to the fields of both children's literature and the growing interdisciplinary domain of food, culture and society.'
Source: Publisher's blurb.